000			03466cam a22004698i 4500
001			BRILL9789004407725
003			nllekb
005			20260610105021.0
007			cr un uuuua
008			190531s2019 ne b 001 0 eng
020			_a9789004407725 _q(electronic book)
020			_z9789004353848 _q(print)
024	7		_a10.1163/9789004407725 _2DOI
035			_a(OCoLC)1120724427
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-ne---
050	0	0	_aND646 _b.H33 2019
072		7	_aAB _2bicssc
072		7	_aART _x028000 _2bisacsh
082	0	0	_a759.9492/09032 _223
100	1		_aHadjinicolaou, Yannis, _eauthor.
245	1	0	_aThinking bodies-shaping hands : _bhandeling in art and theory of the late Rembrandtists / _cYannis Hadjinicolaou.
264		1	_aLeiden Boston : _bBRILL, _c2019.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aStudies in Netherlandish Art and Cultural History; _vvolume15
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310
504			_aIncludes bibliographical references and index.
505	0	0	_tFront Matter -- Copyright page -- Acknowledgements -- Figures -- Foreword / _rWerner Busch -- Introduction -- Between Formal and Stylistic Diversity – Handeling in the Art of the Late Rembrandtists -- Primacy of the Hand -- Art Materials -- Facets of Handling the Paint -- The Iconicity of Action -- Proximity and Distance -- Epilogue -- Notes -- Back Matter -- Bibliography -- Index of Names.
520			_aThinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt’s last pupils such as Arent de Gelder. „Handeling” describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term „style”, as with a prior step, which is equivalent to „manner”. At the same time, its meaning in Dutch till today is „action”. „Handeling” is an act that could be described as a „form-act”. It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the „Rembrandtist ideology of painting”, this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice.
650		0	_aPainting, Dutch _y17th century.
650		0	_aBrushwork.
650		0	_aColor in art.
650		0	_aPainting _xPhilosophy.
776	0	8	_iPrint version: _tThinking bodies-shaping hands: handeling in art and theory of the late Rembrandtists, _dLeiden Boston: BRILL, 2019 _w9789004353848
830		0	_aStudies in Netherlandish Art and Cultural History; _vvolume15.
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2019, ISBN: 9789004386310.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004407725
999			_c21010 _d21010