000 03893nam a2200517 i 4500
001 BRILL9789004355798
003 nllekb
005 20260610105007.0
007 cr un uuuua
008 171101s2017 ne a sb 000 0 eng d
010 _a 2017052768
020 _a9789004355798
_q(electronic book)
020 _z9789004355781
_q(print)
024 7 _a10.1163/9789004355798
_2DOI
035 _a(OCoLC)1010621347
040 _aNL-LeKB
_cNL-LeKB
_erda
043 _ae------
050 4 _aN6370
_b.G56 2017
072 7 _aART
_x015000
_2bisacsh
072 7 _aHB
_2bicssc
072 7 _aHIS000000
_2bisacsh
082 0 4 _a709.02/4
_223
245 0 4 _aThe globalization of Renaissance art :
_ba critical review /
_cedited by Daniel Savoy.
264 1 _aLeiden ;
_aBoston :
_bBrill,
_c2017.
300 _a1 online resource (xii, 341 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aBrill's studies in intellectual history,
_x0920-8607 ;
_vv. 274
490 0 _aBrill's studies on art, art history, and intellectual history ;
_vv. 23
504 _aIncludes bibliographical references.
505 0 0 _tPreliminary Material --
_tIntroduction --
_tA Global Florence and its Blind Spots /
_rSean Roberts --
_tOtto Kurz’s Global Vision /
_rJessica Keating --
_tDecolonizing the Global Renaissance: A View from the Andes /
_rAnanda Cohen-Aponte --
_tRanges of Response: Asian Appropriation of European Art and Culture /
_rThomas DaCosta Kaufmann --
_tReconsidering the World-system: The Agency and Material Geography of Gold /
_rLauren Jacobi --
_tLinking the Mediterranean: The Construction of Trading Networks in 14th and 15th-century Italy /
_rEmanuele Lugli --
_tCosmopolitan Renaissance: Prints in the Age of Exchange /
_rStephanie Leitch --
_tThe World Seen from Venice: Representing the Americas in Grand-scale Wall Maps /
_rElizabeth Horodowich --
_tGlobal Renaissance Art: Classroom, Academy, Museum, Canon /
_rLia Markey --
_tZones of Indifference /
_rMarie Neil Wolff --
_tThe “Global Turn” in Art History: Why, When, and How Does It Matter? /
_rClaire Farago --
_tEpilogue: Roundtable --
_tIndex.
506 _aAvailable to subscribing member institutions only.
520 _aIn The Globalization of Renaissance Art: A Critical Review , Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse’s goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff.
588 _aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650 0 _aArt, Renaissance
_xHistoriography.
650 0 _aArt
_xHistoriography
_xMethodology.
650 7 _aArt
_xHistoriography
_xMethodology.
_2fast
650 7 _aArt, Renaissance
_xHistoriography.
_2fast
700 1 _aSavoy, Daniel,
_d1977-
776 0 8 _iPrint version:
_tGlobalization of Renaissance art
_dLeiden ; Boston : Brill, 2017
_z9789004355781
_w(DLC) 2017052529
830 0 _aBrill's Studies in Intellectual History
_v274/23.
830 0 _aBrill's Studies in Intellectual History Online, Supplement 2018, ISBN: 9789004353381.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004355798
999 _c20257
_d20257