| 000 | 02834nam a2200493 i 4500 | ||
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| 001 | BRILL9789047428596 | ||
| 003 | nllekb | ||
| 005 | 20260610104951.0 | ||
| 007 | cr un uuuua | ||
| 008 | 070522s2007 ne sb 000 0 eng | ||
| 010 | _a 2007297177 | ||
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| 016 | 7 |
_a013695115 _2Uk |
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_aB0706369 _2bccb |
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| 020 |
_a9789047428596 _q(electronic book) |
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| 020 |
_z9789004156296 _q(print) |
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| 024 | 7 |
_a10.1163/ej.9789004156296.i-293 _2DOI |
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| 035 | _a(OCoLC)85898550 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 042 | _alccopycat | ||
| 050 | 4 |
_aPL2437 _b.S72 2007 |
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| 082 | 0 | 4 |
_a895.134809 _222 |
| 100 | 1 | _aStarr, Chloë F. | |
| 245 | 1 | 0 |
_aRed-light novels of the late Qing / _cChloë F. Starr. |
| 264 | 1 |
_aLeiden : _aBiggleswade : _bBrill ; _bExtenza Turpin [distributor], _c2007. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 440 | 0 |
_aChina studies ; _v14 |
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| 490 | 0 | _aBrill eBook titles 2007 | |
| 504 | _aIncludes bibliographical references (p. [275]-285) and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rC.F. Starr -- _tChapter One. Text And Context / _rC.F. Starr -- _tChapter Two. The Narrator Framed / _rC.F. Starr -- _tChapter Three. Characterisation In Context / _rC.F. Starr -- _tChapter Four. Structure: The Textual Representation Of Itself / _rC.F. Starr -- _tBibliography / _rC.F. Starr -- _tIndex / _rC.F. Starr. |
| 506 | 1 | _aAvailable to subscribing member institutions only. | |
| 520 | _aChinese literature has traditionally been divided by both theorists and university course providers into ‘classical’ and ‘modern.’ This has left nineteenth-century fiction in limbo, and allowed negative assessments of its quality to persist unchecked. The popularity of Qing dynasty red-light fiction – works whose primary focus is the relationship between clients and courtesans, set in tea-houses, pleasure gardens, and later, brothels – has endured throughout the twentieth century. This volume explores why, arguing that these novels are far from the ‘low’ work of ‘frustrated scholars’ but in their provocative play on the nature of relations between client, courtesan and text, provide an insight into wider changes in understandings of self and literary value in the nineteenth century. | ||
| 650 | 0 |
_aChinese fiction _yQing dynasty, 1644-1912 _xHistory and criticism. |
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| 650 | 0 | _aCourtesans in literature. | |
| 776 | 0 |
_tRed-light novels of the late Qing _z9789004156296 _z9004156291 |
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| 830 | 0 |
_aChina Studies _v14. |
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| 830 | 0 | _aAsian Studies E-Books Online, Collection 2007, ISBN: 9789004215290. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/ej.9789004156296.i-293 |
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| 994 |
_aC0 _bNEIDC |
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| 999 |
_c19412 _d19412 |
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