| 000 | 03075nam a2200493 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004218802 | ||
| 003 | nllekb | ||
| 005 | 20260610104949.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110930s2012 ne sb 001 0 eng d | ||
| 010 | _a 2011040696 | ||
| 020 |
_a9789004218802 _q(electronic book) |
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| 020 |
_z9789004210455 _q(print) |
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| 024 | 7 |
_a10.1163/9789004218802 _2DOI |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _af-ua--- | ||
| 050 | 4 |
_aPJ7760.I185 _bZ86 2012 |
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| 072 | 7 |
_aHBJF1 _2bicssc |
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| 072 | 7 |
_aHIS _x003000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.5/309621609022 _223 |
| 100 | 1 |
_aGuo, Li, _d1956- |
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| 245 | 1 | 4 |
_aThe performing arts in medieval Islam : _bshadow play and popular poetry in Ibn Daniyal's Mamluk Cairo / _cLi Guo. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill. |
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| 264 | 4 | _cc2012. | |
| 300 | _a1 online resource (xiii, 240 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aIslamic history and civilization studies and texts, _x0929-2403 ; _vv. 93 |
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| 504 | _aIncludes bibliographical references (p. [229]-233) and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Act 1: Eye Doctor and Street Buffoon -- Act 2: Court Panegyrist and Jester -- Act 3: Satirist and Shadow Playwright -- The Making of the Arabic Shadow Play -- The Ornament of the Poetry -- The Many Faces of a Performer -- The Phantom: A Shadow Play -- Appendix 1: Manuscripts -- Appendix 2: Sources -- Bibliography -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aThis is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl’s work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of “The Phantom,” one of Ibn Dāniyāl’s three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts. | ||
| 600 | 1 | 0 |
_aIIbn Dānīyāl, Muḥammad, _d1249 or 50-1310 or 11 _xCriticism and interpretation. |
| 650 | 0 |
_aArabic poetry _y1258-1800 _xHistory and criticism. |
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| 650 | 0 |
_aShadow shows _zEgypt _zCairo _xHistory _y13th century. |
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| 650 | 0 |
_aPerforming arts _zIslamic Empire _xHistory. |
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| 700 | 1 | 2 |
_aIbn Dānīyāl, Muḥammad, _d1249 or 50-1310 or 11. _tṬayf al-khayāl fī maʻrifat khayāl al-ẓill. _lEnglish. |
| 776 | 0 | 8 |
_iPrint version: _tThe Performing Arts in Medieval Islam: Shadow Play and Popular Poetry in Ibn Daniyal's Mamluk Cairo _dLeiden, Boston : BRILL, 2012, _z9789004210455 |
| 830 | 0 |
_aIslamic History and Civilization _v93. |
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| 830 | 0 | _aMiddle East and Islamic Studies E-Books Online, Collection 2012, ISBN: 9789004223295. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004218802 |
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| 999 |
_c19264 _d19264 |
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