000			03105nam a22004451i 4500
001			BRILL9789004449329
003			nllekb
005			20260610104933.0
007			cr un uuuua
008			201130s1994 ne sb 001 0 eng d
020			_a9789004449329 _q(electronic book)
020			_a9789051835588 _q(print)
024	7		_a10.1163/9789004449329 _2DOI
035			_z(OCoLC)30927233
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN695
072		7	_aAC _2bicssc
072		7	_aART _x015000 _2bisacsh
082	0	4	_a700.904 _223
245	0	0	_aInstitution & Innovation / _cedited by Klaus Beekman.
264		1	_aLeiden; _aBoston : _bBrill | Rodopi, _c1994.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aAvant-Garde Critical Studies ; _v8
490	1		_aAvant-Garde Critical Studies Online, ISBN: 9789004450059
504			_aIncludes bibliographical references and index.
505	0		_aKlaus BEEKMAN. Introduction. Diana CRANE: Art Collectors and the Reception of Art Styles. Nico LAAN: The Making of Modern Art. Dorothee VERDAASDONK: Marginality a Characteristic of artistic Product. The Need of personal Networks to sustain an artistic Career. Jacques DUBOIS: L'art administré. Mécénat d'Etat, commissions consultatives et novation. Joseph JURT: Instances de consécration et innovation. La critique littéraire face à la production romanesque de l'entre -deux-guerres. Ralf GRÜTTEMEIER: Die dokumentarische Poetik Jef Lasts. Kees van REES: Conceptions of Literature and their Impact on the literary Field. Klaus BEEKMAN: Changing Labels: From 'experimental' to 'post-modern' Prose. H. VERDAASDONK: Cues for classifying Literary Texts. Résumés/Abstracts.
520			_aUsually the term 'innovation' is used in connection with artists' and authors' themes and techniques. What we see in most studies about innovation is that its problematic aspects are related to problems in literary or artistic history and that scholars try to solve those problems in work-oriented research. Some scholars, however, especially emperical sociologists, claim that problems with respect to innovation cannot be solved without analyzing the cultural area where those problems arise. The major question that this book discusses concerns the role of art committees, literary, art and film critics, art collectors, museum directors, academic writers and other 'gatekeepers' with regard to different forms of art in the interbellum period as well as after World War II.
588			_aDescription based on print version record.
650		0	_aArts, Modern _y20th century.
650		0	_aAvant-garde (Aesthetics)
700	1		_aBeekman, Klaus, _eeditor.
776	0	8	_iPrint version: _tInstitution & Innovation, _dLeiden ; Boston : Brill | Rodopi, 1994 _z9789051835588
830		0	_aAvant-Garde Critical Studies ; _v8.
830		0	_aAvant-Garde Critical Studies Online, ISBN: 9789004450059.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004449329
999			_c18405 _d18405