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020 _a9789401209298
_q(electronic book)
020 _z9789042036635
_q(print)
024 7 _a10.1163/9789401209298
_2DOI
035 _a(OCoLC)854754375
_z(OCoLC)855504865
_z(OCoLC)961643557
_z(OCoLC)962622804
_z(OCoLC)969507089
_z(OCoLC)978591492
_z(OCoLC)978890648
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPN2049
_b.M49 2013
072 7 _aPER
_x011020
_2bisacsh
072 7 _aAN
_2bicssc
072 7 _aDRA000000
_2bisacsh
082 0 4 _a792.019
_222
100 1 _aMeyer-Dinkgräfe, Daniel,
_d1958-
245 1 0 _aTheatre, opera and consciousness :
_bhistory and current debates /
_cDaniel Meyer-Dinkgräfe.
264 1 _aAmsterdam :
_bRodopi,
_c2013.
300 _a1 online resource (241 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
347 _adata file
_2rda
490 1 _aConsciousness, literature & the arts ;
_v33
504 _aIncludes bibliographical references and index.
505 0 0 _aPreliminary Material -- Acknowledgments -- Introduction -- Consciousness and Western Theatre History: Theory and Examples -- Consciousness and Ethics -- Consciousness and the concept of Guru in South Asian spiritual and artistic traditions: contemporary relevance and future potential. -- Consciousness, warm-up, cool-down and the actor as observer -- Opera and Spirituality -- Spiritual Aspects of Operatic Singing: Klaus Florian Vogt -- Spirituality and Operatic Conducting -- Conclusion and Outlook -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aThe study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru , and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.
650 0 _aTheater and society.
650 7 _aTheater and society.
_2fast
776 0 8 _iPrint version:
_aMeyer-Dinkgräfe, Daniel.
_tTheatre, opera and consciousness.
_dAmsterdam : Rodopi, 2013
_z9789042036635
_w(OCoLC)844438284
830 0 _aConsciousness, Literature and the Arts
_v33.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2013, ISBN: 9789004357891.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401209298
999 _c18340
_d18340