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008			110331s2011 ne sb 001 0 eng d
020			_a9789042032484 _q(electronic book)
020			_z9789042032477 _q(print)
024	7		_a10.1163/9789042032484 _2DOI
035			_a(OCoLC)710061235 _z(OCoLC)706425624 _z(OCoLC)816641154
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-gx---
050		4	_aPN1993.5.G3 _bB73 2011eb
072		7	_aPER _x004040 _2bisacsh
072		7	_aD _2bicssc
072		7	_aAP _2bicssc
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.430943 _222
100	1		_aBrady, Martin, _d1962-
245	1	0	_aWim Wenders and Peter Handke : _bcollaboration, adaptation, recomposition / _cMartin Brady and Joanne Leal.
264		1	_aAmsterdam ; _aNew York, NY : _bRodopi, _c2011.
300			_a1 online resource (314 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; _v147
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Acknowledgements -- Authors’ Note -- Introduction -- Politics, Poetics, Film: The Beginnings of a Collaboration -- Parallel Texts: Language into Image in The Goalkeeper’s Fear of the Penalty -- Accompanied by Text: From Short Letter, Long Farewell to Alice in the Cities -- Mute Stories and Blind Alleys: Text, Image and Allusion in Wrong Move -- Leafing through Wings of Desire -- Conclusion -- Filmographies -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aThis is the first volume in English to examine in detail one of the most remarkable collaborations between a writer and filmmaker in European cinema. Focusing on the four films Wim Wenders and Peter Handke made between 1969 and 1987 ( 3 American LPs , The Goalkeeper’s Fear of the Penalty , Wrong Move , and Wings of Desire ), it explores the productive tension between adaptation and collaboration and demonstrates the different ways in which text- and image-makers can recompose film’s constituent media (literature, still and moving images, music, drama). The study reveals that this partnership had significant aesthetic and conceptual repercussions for both artists, resulting in a series of single-authored works which manifest the same kinds of intertextuality and disjunctive intermediality that are the hallmark of the collaborations themselves. These include Wenders’s Alice in the Cities , Handke’s films The Chronicle of On-Going Events and The Left-Handed Woman , and his novels Short Letter, Long Farewell and A Moment of True Feeling . While the Wenders-Handke partnership is unique, it contributes to a broader understanding of cinematic adaptation and different models of intermedial collaboration. This volume will be of interest to those working in the fields of Adaptation, Film, and German Studies.
600	1	0	_aWenders, Wim _xCriticism and interpretation.
600	1	0	_aHandke, Peter.
600	1	7	_aHandke, Peter. _2fast
600	1	7	_aWenders, Wim. _2fast
648		7	_a1900-1999 _2fast
650		0	_aMotion pictures _zGermany.
650		0	_aMotion pictures _zGermany _xHistory _y20th century.
650		7	_aMotion pictures. _2fast
651		7	_aGermany. _2fast
655		7	_aCriticism, interpretation, etc. _2fast
655		7	_aHistory. _2fast
700	1		_aLeal, Joanne.
776	0	8	_iPrint version: _aBrady, Martin, 1962- _tWim Wenders and Peter Handke. _dAmsterdam : Rodopi, 2011 _z9789042032477 _w(OCoLC)701462183
830		0	_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft _v147.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789042032484
999			_c18049 _d18049