| 000 | 05755nam a2200505 i 4500 | ||
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| 001 | BRILL9789004231702 | ||
| 003 | nllekb | ||
| 005 | 20260610104921.0 | ||
| 007 | cr un uuuua | ||
| 008 | 120709s2012 ne sb 001 0 eng d | ||
| 020 |
_a9789004231702 _q(electronic book) |
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| 020 |
_z9789004218772 _q(print) |
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| 024 | 7 |
_a10.1163/9789004231702 _2DOI |
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| 035 | _a(OCoLC)798535794 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aN7480 _b.A772 2012 |
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| 072 | 7 |
_aART _x027000 _2bisacsh |
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| 072 | 7 |
_aJFCX _2bicssc |
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| 072 | 7 |
_aHIS _x000000 _2bisacsh |
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| 082 | 0 | 4 |
_a707.2/2 _223 |
| 245 | 0 | 0 |
_aArt history and visual studies in Europe : _btransnational discourses and national frameworks / _cedition by Matthew Rampley ... [and others]. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2012. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aBrill's studies in intellectual history, _x0920-8607 ; _vvol. 212 |
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| 490 | 1 |
_aBrill's studies on art, art history, and intellectual history, _x1878-9048 ; _vvol. 4 |
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| 500 | _aDescription based upon print version of record. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _tIntroduction / _rMatthew Rampley -- _tArt History, Aesthetics and Art Criticism / _rAntonio Somaini -- _tThe Idea of the Canon and Canon Formation in Art History / _rHubert Locher -- _tEuropean Heritage: Unity in Diversity? / _rBrian Graham -- _tContemporary Art and the Concept of Art History: Influence, Dependency and Challenge / _rPeter J. Schneemann -- _tFormalism and the History of Style / _rAndrea Pinotti -- _tVisual Culture and Visual Studies / _rJan Baetens -- _tTheories of the Image in France: Between Art History and Visual Anthropology / _rRalph Dekoninck -- _tBildwissenschaft: Theories of the Image in German-Language Scholarship / _rMatthew Rampley -- _tComputerization, Digitization and the Internet / _rAntonella Sbrilli -- _tTechnical Art History: The Synergy of Art, Conservation and Science / _rErma Hermens -- _tDimensions of Dialogue: Art History and the Discourse of Economics / _rVictor Ginsburgh and François Mairesse -- _tSociologies of Art: With and against Art History / _rNathalie Heinich -- _tMuseums and Museologies / _rDominique Poulot -- _tArt History in a Global Frame: World Art Studies / _rWilfried van Damme and Kitty Zijlmans -- _tThe Construction of National Art Histories and the ‘New’ Europe / _rMatthew Rampley -- _tCultures of Interruptions. Art History in the Baltic States: Estonia, Latvia and Lithuania / _rKrista Kodres , Giedrė Mickūnaitė and Stella Pelše -- _tIn Search of a Synthesis: Art History in Belgium / _rRaphaël Pirenne -- _tArt History in Bulgaria: Institutional Frameworks, Research Directions and Individual Scholars / _rElka Bakalova -- _tArt History in the Czech and Slovak Republics: Institutional Frameworks, Topics and Loyalties / _rMilena Bartlová -- _tArt History in France: A Conflict of Traditions / _rRalph Dekoninck and Joël Roucloux -- _tArt History in German-Speaking Countries: Austria, Germany and Switzerland / _rCharlotte Schoell-Glass -- _tArt History and Visual Studies in Great Britain and Ireland / _rGriselda Pollock -- _tBorn of a ‘Peripheral’ Modernism: Art History in Greece and Cyprus / _rAreti Adamopoulou -- _tArt History in Italy: Connoisseurship, Academic Scholarship and the Protection of Cultural Heritage / _rLaura Iamurri -- _tArt History in the Netherlands: The Past and Present of the Discipline / _rMarga van Mechelen and Kitty Zijlmans -- _tArt History in the Nordic Countries / _rDan Karlholm , Hans Dam Christensen and Matthew Rampley -- _tA Marginalised Tradition? Polish Art History / _rWojciech Bałus -- _tIn Search of National Traditions: Art History in Romania / _rCorina Teacă -- _tArt History in Serbia, Bosnia-Herzegovina and Macedonia / _rNenad Makuljević -- _tArt History in Spain: A Generational History / _rGonzalo M. Borrás Gualis -- _tArt History and the Founding of the Modern Turkish State / _rBurcu Dogramaci -- _tBibliography / _rDennis Janzen -- _tIndex. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aReflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline. | ||
| 650 | 0 |
_aArt _xHistoriography. |
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| 650 | 0 |
_aHistoriography _xPolitical aspects _zEurope. |
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| 650 | 0 | _aVisual communication. | |
| 650 | 0 | _aCommunication and culture. | |
| 650 | 7 |
_aART / Study & Teaching. _2bisacsh |
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| 700 | 1 | _aRampley, Matthew. | |
| 776 | 0 | 8 |
_iPrint version: _tArt history and visual studies in Europe. _dLeiden ; Boston : Brill, c2012 _z9789004218772 |
| 830 | 0 |
_aBrill's Studies in Intellectual History _v212/4. |
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| 830 | 0 | _aBrill's Studies in Intellectual History Online, ISBN: 9789004253339. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004231702 |
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_c17685 _d17685 |
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