000			05729nam a22005298i 4500
001			BRILL9789004702776
003			nllekb
005			20260610104920.0
007			cr un uuuua
008			250109s2025 gw sb 001 0 eng d
010			_a 2024033571
020			_a9789004702776 _q(electronic book)
020			_z9789004544208 _q(print)
024	7		_a10.1163/9789004702776 _2DOI
035			_a(OCoLC)1467196368
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aML3917.E85
072		7	_aHBLH _2bicssc
072		7	_aHIS _x010000 _2bisacsh
072		7	_aHIS _x037020 _2bisacsh
082	0	4	_a780/.0267 _223
245	0	0	_aListening to Confraternities : _bSpaces for Performance, Patronage and Urban Musical Experience / _cedited by Tess Knighton.
246	3		_aSpaces for Performance, Patronage and Urban Musical Experience
264		1	_aLeiden ; _aBoston : _bBrill, _c2025.
264		4	_c©2025
300			_a1 online resource (582 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aEarly Modern History and Modern History E-Books Online, Collection 2024
490	1		_aIntersections ; _v92
504			_aIncludes bibliographical references and index.
505	0		_tFront Matter -- Preliminary Material / _rNicholas Terpstra -- Part 1 -- Chapter 2 The ‘Sensoryscape’ of the Good Friday Procession in Early Modern Venetian Bergamo / _rEmanuela Vai -- Chapter 3 Musical Interactions at the Confraternity of Our Lady of the Rosary in Antwerp in the Seventeenth Century / _rAna López Suero -- Chapter 4 Sound and Confraternal Piety in Early Modern Leuven / _rHenry Drummond -- Chapter 5 Music and Students in the Academy and Confraternity of St. Thomas Aquinas in Barcelona (1588) / _rAscensión Mazuela-Anguita -- Chapter 6 The Sonic and Ceremonial Contribution of the Confraternity of Sant Jordi and the Centenar de la Ploma to Celebratory Processions in Valencia / _rFerran Escrivà-Llorca -- Part 2 -- Chapter 7 Corporations or Confraternities? Strategies Adopted by Artisan Groups in Response to Pressures Arising from the Catholic Reformation / _rNoel O’Regan -- Chapter 8 Confraternities and Music on the Eve of the Reformation: Early-Tudor Boston / _rMagnus Williamson -- Chapter 9 Who was Listening to Oratorio? Lay Confraternities and Patrician Music in Early Modern Italy / _rXavier Torres -- Chapter 10 Mustering Troops and Teaching Counterpoint: The Musical Incursions of a Central European Redemption Confraternity / _rErika Supria Honisch -- Chapter 11 Confraternities, Congregations and Aural Culture in Counter-Reformation Germany / _rAlexander Fisher -- Part 3 -- Chapter 12 Music and Noise: The Sounds of a Youth Confraternity in Renaissance Florence / _rKonrad Eisenbichler -- Chapter 13 ‘In parole’ and ‘in canto’: The Songs and Prayers of the Disciplinati in Early Modern Milan / _rDaniele V. Filippi -- Chapter 14 Performing Poetry at Rouen’s Puy of the Immaculate Conception / _rDylan Reid -- Chapter 15 Black Dancers and Musicians Performing Afro-Christian Identity in Early Modern Sources / _rElisa Lessa -- Chapter 16 Devotional Collective Singing and the Construction of Christian Indigenous Communities: The Hospital Confraternities of the Concepción in Colonial Michoacán / _rAntonio Ruiz Caballero -- Part 4 -- Chapter 17 Digital Cartography of the Confraternities of Granada and Their Impact on the Early Modern Urban Soundworld / _rJuan Ruiz Jiménez -- Chapter 18 Mapping Post-Tridentine Confraternities and Processions in Sixteenth-Century Tarragona / _rSergi González González -- Chapter 19 Burying the Bones: Mapping the Sounds and Spaces of the Confraternity of the Verge Maria dels Desamparats in Early Modern Barcelona / _rTess Knighton -- Back Matter -- Index Nominum.
520			_aListening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active. Contributors: Nicholas Terpstra, Emanuela Vai, Ana López Suero, Henry Drummond, Ascensión Mazuela-Anguita, Ferrán Escrivà-Llorca, Noel O’Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jiménez, Sergi González González, and Tess Knighton.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aCommunity music _zEurope _y16th century _xHistory and criticism.
650		0	_aConfraternities _zEurope _xHistory _y16th century.
650		0	_aMusic _xSocial aspects _zEurope _xHistory _y16th century.
700	1		_aKnighton, Tess, _eeditor.
776	0	8	_iPrint version: _tListening to Confraternities : Spaces for Performance, Patronage and Urban Musical Experience. _dLeiden ; Boston : Brill, 2025. _z9789004544208 _w(OCoLC)1453630653 _w(DLC) 2024033570
830		0	_aEarly Modern History and Modern History E-Books Online, Collection 2024.
830		0	_aIntersections ; _v92.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004702776
999			_c17655 _d17655