| 000 | 04820nam a2200469 i 4500 | ||
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| 001 | BRILL9789401200257 | ||
| 003 | nllekb | ||
| 005 | 20260610104913.0 | ||
| 007 | cr un uuuua | ||
| 008 | 111031s2011 ne sb 001 0 eng d | ||
| 010 | _a 2011500753 | ||
| 020 |
_a9789401200257 _q(electronic book) |
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| 020 |
_z9789042033290 _q(print) |
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| 024 | 7 |
_a10.1163/9789401200257 _2DOI |
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| 035 | _a(OCoLC)753901308 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aPN4151 _b.P47 2011 |
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| 072 | 7 |
_aDSA _2bicssc |
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| 072 | 7 |
_aLIT006000 _2bisacsh |
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| 082 | 0 | 4 |
_a808.545 _223 |
| 245 | 0 | 0 |
_aPerforming poetry : _bbody, place and rhythm in the poetry performance / _ceditors, Cornelia Gräbner, Arturo Casas. |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi. |
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| 264 | 4 | _cc2011. | |
| 300 | _a1 online resource (293 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aThamyris intersecting: place, sex, and race, _x1570-7253 ; _vno. 24 (2011) |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rCornelia Gräbner and Arturo Casas -- _tIntroduction / _rCornelia Gräbner and Arturo Casas -- _tAllen Ginsberg, “Howl,” and the 6 Gallery Poetry Performance / _rJonah Raskin -- _tStage Fever and Text Anxiety: The Staging of Poeticity in Dutch Performance Poetry since the Sixties / _rGaston Franssen -- _tArtimanha, the Precise Moment of Being: Performance and Carnival in the Poetry of Brazil’s Nuvem Cigana / _rJeffrey Manoel Pijpers -- _t“The Hurricane Doesn’t Roar in Pentameters”: Rhythmanalysis in Performed Poetry / _rCornelia Gräbner -- _tThe Body’s Territories: Performance Poetry in Contemporary Puerto Rico / _rUrayoán Noel -- _tPolitics of Sound: Body, Emotion, and Sound in the Contemporary Galician Poetry Performance / _rMaría do Cebreiro and Rábade Villar -- _tProducing World and Remnant: Dialogue with Chus Pato / _rArturo Casas -- _tPoetry and Autofiction in the Performative “Field of Action”: Angélica Liddell’s Theater of Passion / _rAnxo Abuín González -- _tRoberto Echavarren’s Atlantic Casino and Oír no es ver: The “Neobarocker” Body in Performance / _rIrina Garbatzky -- _tMy Life and Performances / _rRoberto Echavarren -- _t“Set in Stone”: Lemn Sissay’s and SuAndi’s Landmark Poetics / _rDeirdre Osborne -- _tEartha Kitt Once Told Me / _rSuAndi -- _tHeterotopical Routes through Barcelona: The Reshaping of Public Space in the “Galactic” Poetry of Jaume Sisa / _rMercè Picornell Belenguer -- _tAbsent Cities: Text, Performance, and Heterotopia / _rZoë Skoulding -- _tNew Loci in Contemporary Catalan Art and Poetry: Perejaume’s Performance of/on the Rural / _rMargalida Pons -- _tThe Contributors / _rCornelia Gräbner and Arturo Casas -- _tIndex / _rCornelia Gräbner and Arturo Casas. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aOver the past decades, the poetry performance has developed into an increasingly popular, diverse, and complex art form. In theoretical and critical discourse, it is referred to as performance poetry, spoken word poetry, and polipoesía ; some theorists argue that it is an independent poetic genre, others treat it as a contemporary manifestation of oral poetry or of the poetry recital. The essays collected in this volume take up the challenge that the poetry performance poses to literary theory. Coming from a variety of disciplines, including Literary Studies, Theater Studies, and Area Studies, contributors develop new approaches and analytical categories for the poetry performance. They draw on case studies from a variety of contexts and in several languages, including Brazilian Portuguese, Dutch, Catalan, English, French, Galician, and Spanish. Essays are organized in three sections, which focus on critical and theoretical approaches to the poetry performance, on the mediatic hybridity of this art form, and on the ways in which the poetry performance negotiates locatedness through engagements with space and place. The structure of the volume intersperses essays on theory and analysis with self-reflexive essays from performance poets on their own performance practice. | ||
| 650 | 0 | _aPerformance poetry. | |
| 650 | 7 |
_aPerformance poetry. _2fast |
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| 700 | 1 | _aGräbner, Cornelia. | |
| 700 | 1 |
_aCasas, Arturo, _d1958- |
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| 776 | 0 | 8 |
_iPrint version: _tPerforming Poetry: Body, Place and Rhythm in the Poetry Performance _dLeiden, Boston : Brill | Rodopi, 2011, _z9789042033290 |
| 830 | 0 |
_aThamyris/Intersecting: Place, Sex and Race _v24. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2011, ISBN: 9789004357914. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401200257 |
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| 999 |
_c17218 _d17218 |
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