000			03368nam a2200541 i 4500
001			BRILL9789004301405
003			nllekb
005			20260610104905.0
007			cr un uuuua
008			150714s2016 ne a sb 000 0 eng d
010			_a 2015025384
020			_a9789004301405 _q(electronic book)
020			_z9789004269262 _q(print)
024	7		_a10.1163/9789004301405 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-ur---
050		4	_aPN5277.A77 _bC48 2016
072		7	_aHB _2bicssc
072		7	_aHIS000000 _2bisacsh
082	0	4	_a709.47/05 _223
100	1		_aChuchvaha, Hanna.
245	1	0	_aArt periodical culture in late imperial Russia (1898-1917) : _bprint modernism in transition / _cby Hanna Chuchvaha.
264		1	_aLeiden ; _aBoston : _bBrill, _c2016.
300			_a1 online resource : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aLibrary of the written word ; _vv. 44
490	1		_aIndustrial world ; _vv. 5
504			_aIncludes bibliographical references.
505	0	0	_aPreliminary Material -- Introduction -- When Russia Learned to Reproduce Art -- World of Art and the Origins of the Print Revival in Late Imperial Russia -- The Golden Fleece or Russia’s “Très Riches Heures” -- Apollo: Between “Archaism” and Modernism -- Conclusion -- Glossary of Terms -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aArt Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art ( Mir Iskusstva , 1899-1904), The Golden Fleece ( Zolotoe runo , 1906-1909) and Apollo ( Apollon , 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
630	0	0	_aMir iskusstva.
630	0	0	_aZolotoe runo.
630	0	0	_aApollon (Saint Petersburg, Russia)
650		0	_aIllustrated periodicals _zRussia _xHistory _y19th century.
650		0	_aIllustrated periodicals _zRussia _xHistory _y20th century.
650		0	_aModernism (Art) _zRussia _y19th century _xPeriodicals.
650		0	_aModernism (Art) _zRussia _y20th century _xPeriodicals.
650		0	_aArt _zRussia _xReproduction _xHistory _y19th century.
650		0	_aArt _zRussia _xReproduction _xHistory _y20th century.
776	0	8	_iPrint version: _tArt Periodical Culture in Late Imperial Russia (1898-1917): Print Modernism in Transition _dLeiden, Boston : BRILL, 2016, _z9789004269262
830		0	_aLibrary of the Written Word _v44.
830		0	_aRussian Revolution Centenary E-Book Collection, ISBN: 9789004351998.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004301405
999			_c16763 _d16763