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008 080427s2008 ne sb 001 0 eng d
020 _a9789401205795
_q(electronic book)
020 _z9789042023925
_q(print)
024 7 _a10.1163/9789401205795
_2DOI
035 _a(OCoLC)226308394
_z(OCoLC)712988671
_z(OCoLC)764536467
_z(OCoLC)842662047
_z(OCoLC)961500187
_z(OCoLC)962628426
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPN56.E6
_bW47 2008eb
072 7 _aLIT
_x004160
_2bisacsh
072 7 _aGT
_2bicssc
072 7 _aPOL000000
_2bisacsh
082 0 4 _a809/.93353
_222
100 1 _aWesling, Donald.
245 1 0 _aJoys and sorrows of imaginary persons :
_bon literary emotions /
_cDonald Wesling.
264 1 _aAmsterdam ;
_aNew York, NY :
_bRodopi,
_c2008.
300 _a1 online resource (221 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
380 _aBibliography
490 1 _aConsciousness, literature & the arts,
_x1573-2193 ;
_v16
504 _aIncludes bibliographical references (p. 201-215) and index.
505 0 0 _aPreliminary Material -- On Literary Emotions -- Joys and Sorrows of Imaginary Persons -- A Feeling of and, a Feeling of if : Emotion as Relation -- A Theory of Literary Emotion -- Pity, Fear, and Arrangement in W.C. Williams and Shakespeare -- The Wide Net of Storytelling -- The Story of One Story -- A Role for Literature -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aJoys and Sorrows of Imaginary Persons is a literary approach to consciousness where Donald Wesling denies that emotion is the scandal or handmaid of reason—rather emotion is the co-creator with reason of human life in the world. Discoveries in neuro-science in the 1990s Decade of the Brain have proven that thinking and feeling are wrapped with each other, and regulate and fulfill each other. Accepting this co-creative equality, we reveal a new role for literature, or a traditional role we’ve repressed: literature as a set of processes in time where we’ve thought feeling through stories about the lives of imaginary persons. We need these stories in order to practice emotions for when we return to the world from reading. Donald Wesling argues that to be more accurate in our dealings with stories, we require a grammar of this new recognition, where we build up traditional stylistics by a more careful tracking of emotion-states as these are set into writing. The first half of Joys and Sorrows of Imaginary Persons offers a creative stock-taking of the current state of scholarship on emotion, based on wide reading in several fields. The second half gives three focused studies, rich in examples, of emotion as cognition, as story, and as historical structure of feeling.
648 7 _a1900-1999
_2fast
650 0 _aEmotions in literature.
650 0 _aLiterature, Modern
_y20th century
_xHistory and criticism.
650 7 _aEmotions in literature.
_2fast
650 7 _aLiterature, Modern.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_aWesling, Donald.
_tJoys and sorrows of imaginary persons.
_dAmsterdam ; New York, NY : Rodopi, 2008
_z9042023929
_z9789042023925
_w(OCoLC)226166572
830 0 _aConsciousness, Literature and the Arts
_v16.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2008, ISBN: 9789004357952.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401205795
999 _c16759
_d16759