000			02143nam a22003851i 4500
001			BRILL9789004437067
003			nllekb
005			20260610104903.0
007			cr un uuuua
008			200708s2021 ne sb 001 0 eng d
020			_a9789004437067 _q(electronic book)
020			_a9789004424654 _q(print)
024	7		_a10.1163/9789004437067 _2DOI
035			_z(OCoLC)1129726399
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aN7480
072		7	_aAGB _2bicssc
072		7	_aART _x016000 _2bisacsh
082	0	4	_a705 _223
100	1		_aBogdanova-Kummer, Eugenia, _eauthor.
245	1	0	_aBokujinkai: Japanese Calligraphy and the Postwar Avant-Garde / _cEugenia Bogdanova-Kummer.
264		1	_aLeiden; _aBoston : _bBRILL, _c2021.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aJapanese Visual Culture ; _v19
520			_aThe Bokujinkai-or 'People of the Ink'-was a group formed in Kyoto in 1952 by five calligraphers: Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To this end, the Bokujinkai collaborated with artists from European Art Informel and American Abstract Expressionism, sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. The first English-language book to focus on the postwar history of Japanese calligraphy, Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde explains how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.
588			_aDescription based on print version record.
650		0	_aArt _xHistoriography.
776	0	8	_iPrint version: _tBokujinkai: Japanese Calligraphy and the Postwar Avant-Garde, _dLeiden ; Boston : BRILL, 2021 _z9789004424654
830		0	_aJapanese Visual Culture ; _v19.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004437067
999			_c16652 _d16652