000 03620nam a2200445 i 4500
001 BRILL9789004344143
003 nllekb
005 20260610104902.0
007 cr un uuuua
008 170803s2017 ne sb 001 0 eng d
010 _a 2017037110
020 _a9789004344143
_q(electronic book)
020 _z9789004344136
_q(print)
024 7 _a10.1163/9789004344143
_2DOI
035 _a 2017037110
_6ORIG
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPR6011.O53
072 7 _aDS
_2bicssc
072 7 _aLIT000000
_2bisacsh
082 0 4 _a823/.912
_223
245 0 0 _aFord Madox Ford's The good soldier /
_cedited by Rossitsa Terzieva-Artemis.
264 1 _aLeiden ;
_aBoton :
_bBrill Rodopi,
_c2017.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 0 _aDialogue ;
_vv. 21
504 _aIncludes bibliographical references and index.
505 0 0 _tFront Matter --
_tContents --
_tIntroduction /
_rRossitsa Terzieva-Artemis --
_tThe Good Soldier: Tragic, Comic, Ironic /
_rJoseph Wiesenfarth --
_tTory-Papists and Ford’s The Good Soldier /
_rTimothy Sutton --
_tThe Definition of Modernity in The Good Soldier /
_rEdward Lobb --
_tThe Silences of Modernism in The Good Soldier /
_rDean Bowers --
_tA Tale of Two Babies – One Dead, the Other Powerless to Be Born: Ambivalent Beginnings in Ford Madox Ford’s The Good Soldier /
_rAimee L. Pozorski --
_tThe Motive for Metaphor: The Words of a Sentimentalist in The Good Soldier /
_rJ. Fitzpatrick Smith --
_tRewriting Trauma: A Study of Ford Madox Ford’s The Good Soldier as Modernist Chronicle /
_rAsunción López-Varela Azcárate --
_t“Nearly as Bright as in Provençe!”: An Episode of Dowell’s Narrative Passion /
_rLucie Boukalova --
_tNot Just Another Perplexity /
_rGabrielle Moyer --
_t“Like Chasing a Scrap of Paper”: Hysterical Detection in The Good Soldier /
_rAllan Pero --
_t“Of the Question of the Sex-Instinct I Know Very Little”: The Good Soldier and the Discourse of Indecency /
_rChris Forster --
_t“A Family Romance”: Oedipal Melancholia and Masochism in The Good Soldier /
_rMarc Ouellette.
506 _aAvailable to subscribing member institutions only.
520 _aFor the centenary of Ford Madox Ford’s The Good Soldier (1915), this volume originally re-examines some well-known issues surrounding the text and its “mad about writing” author: the Conrad-Ford friendship and literary collaboration; Modernist agenda(s) and Impressionist techniques; genre innovations and philosophical questions. The dialogue between established and young Ford scholars produces a challenging kaleidoscope of insights into the work of this controversial English writer and his perennial novel. Contributors are: Asunción López-Varela Azcárate, Marc Ouellette, Lucie Boukalova, Allan Pero, Dean Bowers, Aimee L. Pozorski, Chris Forster, J. Fitzpatrick Smith, Edward Lobb, Timothy Sutton, Gabrielle Moyer, Joseph Wiesenfarth.
588 _aDescription based on print version record and CIP data provided by publisher; resource not viewed.
600 1 0 _aFord, Ford Madox,
_d1873-1939.
_tGood soldier.
700 1 _aTerzieva-Artemis, Rossitsa.
776 0 8 _iPrint version:
_tFord Madox Ford's The good soldier
_dLeiden ; Boton : Brill Rodopi, 2017
_z9789004344136
_w(DLC) 2017032125
830 0 _aDialogue
_v21.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2017, ISBN: 9789004328075.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004344143
999 _c16614
_d16614