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| 001 | BRILL9789401206242 | ||
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| 007 | cr un uuuua | ||
| 008 | 081014s2008 ne a sbq 001 0 eng d | ||
| 020 |
_a9789401206242 _q(electronic book) |
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| 020 |
_z9789042024540 _q(print) |
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| 024 | 7 |
_a10.1163/9789401206242 _2DOI |
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| 035 |
_a(OCoLC)649903389 _z(OCoLC)289029100 _z(OCoLC)714567394 _z(OCoLC)764536567 _z(OCoLC)842281536 _z(OCoLC)961485545 _z(OCoLC)962647920 _z(OCoLC)988530966 _z(OCoLC)991913837 |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _ae-uk-en | ||
| 050 | 4 |
_aPN1995.9.L57 _bN49 2008eb |
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| 072 | 7 |
_aHIS _x015000 _2bisacsh |
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| 072 | 7 |
_aJFC _2bicssc |
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| 072 | 7 |
_aSOC022000 _2bisacsh |
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| 082 | 0 | 4 |
_a942.1/5 _222 |
| 100 | 1 |
_aNewland, Paul _c(Lecturer in film studies) |
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| 245 | 1 | 4 |
_aThe cultural construction of London's East End : _burban iconography, modernity and the spatialisation of Englishness / _cPaul Newland. |
| 264 | 1 |
_aAmsterdam ; _aNew York, NY : _bRodopi, _c2008. |
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| 300 |
_a1 online resource (321 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 380 | _aBibliography | ||
| 490 | 1 |
_aSpatial practices, _x1871-689X ; _v5 |
|
| 504 | _aIncludes bibliographical references (p. 275-295) and index. | ||
| 504 | _aIncludes filmography (pages 297-303). | ||
| 505 | 0 | 0 | _aPreliminary Material -- Acknowledgements -- Introduction -- Development -- Apotheosis -- The Breath of the East -- From Bauhaus to the Blitz and Beyond -- After Ronan Point: Re-imagining the Territory -- Docklands: The Clearing of the Misery? -- After Empire: Tourism, Immigration and Colonisation -- Neo-Victorian Urban Visions -- Bibliography -- Filmography -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aPaul Newland’s illuminating study explores the ways in which London’s East End has been constituted in a wide variety of texts – films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour. The Cultural Construction of London’s East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television’s EastEnders , Monica Ali’s Brick Lane , Walter Besant’s All Sorts and Conditions of Men , Thomas Burke’s Limehouse Nights , Peter Ackroyd’s Hawksmoor , films such as Piccadilly, Sparrows Can’t Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider , and in the work of Iain Sinclair. | ||
| 650 | 0 |
_aCultural landscapes _zEngland _zLondon. |
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| 650 | 0 |
_aLandscapes _xSymbolic aspects _zEngland _zLondon. |
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| 650 | 0 | _aNational characteristics, English. | |
| 651 | 0 |
_aEast End (London, England) _xIn motion pictures. |
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| 651 | 0 |
_aEast End (London, England) _xIn popular culture. |
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| 776 | 0 | 8 |
_iPrint version: _aNewland, Paul, Dr. _tCultural construction of London's east end. _dAmsterdam ; New York, NY : Rodopi, 2008 _z9042024542 _z9789042024540 _w(OCoLC)262509387 |
| 830 | 0 |
_aSpatial Practices _v5. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2008, ISBN: 9789004357952. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401206242 |
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| 999 |
_c16307 _d16307 |
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