| 000 | 04841nam a2200469 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004364356 | ||
| 003 | nllekb | ||
| 005 | 20260610104851.0 | ||
| 007 | cr un uuuua | ||
| 008 | 180215s2018 ne sb 001 0 eng d | ||
| 010 | _a 2018007827 | ||
| 020 |
_a9789004364356 _q(electronic book) |
||
| 020 |
_z9789004351844 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004364356 _2DOI |
|
| 035 | _a(OCoLC)1023820949 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 050 | 4 |
_aBL820.N95 _b.F54 2018 |
|
| 072 | 7 |
_aART _x060000 _2bisacsh |
|
| 072 | 7 |
_aART _x025000 _2bisacsh |
|
| 072 | 7 |
_aHBLH _2bicssc |
|
| 072 | 7 |
_aHIS037020 _2bisacsh |
|
| 082 | 0 | 4 |
_a700/.475 _223 |
| 245 | 0 | 4 |
_aThe figure of the nymph in early modern culture / _cedited by Karl A.E. Enenkel, Anita Traninger. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2018. |
|
| 300 | _a1 online resource (268 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 0 |
_aIntersections : interdisciplinary studies in early modern culture, _x1568-1181 ; _vv. 54 |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tFront Matter -- _tCopyright page -- _tAcknowledgements -- _tNotes on the Editors -- _tNotes on the Contributors -- _tList of Illustrations -- _tIntroduction: The Figure of the Nymph in Early Modern Culture / _rAnita Traninger and Karl A.E. Enenkel -- _tNymphs between the Visual Arts and Literature -- _tPleasures of the Imagination: Narrating the Nymph, from Boccaccio to Lope De Vega / _rAnita Traninger -- _tSalmacis, Hermaphrodite, and the Inversion of Gender: Allegorical Interpretations and Pictorial Representations of an Ovidian Myth, circa 1300–1770 / _rKarl Enenkel -- _tThe Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence / _rBarbara Baert -- _t‘Who, Then, is the “Nympha”?’ An Iconographic Analysis of the Figure of the Maid in the Tornabuoni Frescoes / _rAgata Anna Chrzanowska -- _tLiterary Representations -- _tLamenting, Dancing, Praising: The Multilayered Presence of Nymphs in Florentine Elegiac Poetry of the Quattrocento1 / _rChristoph Pieper -- _tAn Epiphanic Figure with the Power to Bind: Lia’s Role in Boccaccio’s Comedia delle ninfe fiorentine / _rTobias Leuker -- _tRenaissance Nymphs as Intermediaries in Early Modern German Territorial Politics / _rAndreas Keller -- _tDiscursive Sisters of the Arts, Raw Material of Inspiration: The Early Pegnitz Flower Society’s Nymphs / _rDamaris Leimgruber -- _tGarden Architecture -- _tThe Mediality of the Nymph in the Cultural Context of Pirro Visconti’s Villa at Lainate / _rMira Becker-Sawatzky -- _tNymphs Bathing in the King’s Garden: La Granja de San Ildefonso and Caserta / _rEva-Bettina Krems -- _tMusic -- _tVenez plorer ma desolation: Lamenting and Mourning Nymphs in Culture and Music around 1500 / _rWolfgang Fuhrmann -- _tThe Nymph’s Voice as an Acoustic Reflection of the Self / _rMichaela Kaufmann -- _tAetiology and Antiquarianism -- _tFounding Sisters: Nymphs and Aetiology in Humanist Latin Poetry / _rChristian Peters -- _tOur White Ladies on the Graves: Historicisations of Nymphs in Early Modern Antiquarianism / _rBernd Roling -- _tBack Matter -- _tIndex Nominum. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aThroughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg’s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger. | ||
| 650 | 0 | _aNymphs (Greek deities) | |
| 650 | 7 |
_aNymphs (Greek deities) _2fast |
|
| 700 | 1 | _aEnenkel, K. A. E. | |
| 776 | 0 | 8 |
_iPrint version: _tFigure of the nymph in early modern culture. _dLeiden ; Boston : Brill, 2018 _z9789004351844 _w(DLC) 2017061439 |
| 830 | 0 |
_aIntersections _v54. |
|
| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2018-II, ISBN: 9789004353305. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004364356 |
|
| 999 |
_c15973 _d15973 |
||