| 000 | 05372nam a2200517 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789042031944 | ||
| 003 | nllekb | ||
| 005 | 20260610104850.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110121s2010 ne sb 101 0 eng d | ||
| 020 |
_a9789042031944 _q(electronic book) |
||
| 020 |
_z9789042031937 _q(print) |
||
| 024 | 7 |
_a10.1163/9789042031944 _2DOI |
|
| 035 |
_a(OCoLC)697806803 _z(OCoLC)694729208 _z(OCoLC)712995903 |
||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 050 | 4 |
_aHM636 _b.P47 2010eb |
|
| 072 | 7 |
_aSOC _x022000 _2bisacsh |
|
| 072 | 7 |
_aAS _2bicssc |
|
| 072 | 7 |
_aPER000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a306.4 _222 |
| 245 | 0 | 0 |
_aPerformative body spaces : _bcorporeal topographies in literature, theatre, dance, and the visual arts / _cedited by Markus Hallensleben. |
| 264 | 1 |
_aAmsterdam ; _aNew York, NY : _bRodopi. |
|
| 264 | 4 | _cc2010. | |
| 300 | _a1 online resource (250 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 |
_aCritical studies ; _vvol. 33 |
|
| 500 | _aPapers from the international and interdisciplinary workshop Body Spaces: Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts, at the University of British Colombia, Vancouver, Canada, on March 14-16, 2008. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary material / _rEditors Performative Body Spaces -- _tIntroduction: Performative Body Spaces / _rMarkus Hallensleben -- _tMetaphors of Dancing and the Human Body in Nazi Concentration Camps / _rBożena Karwowska -- _tFrom Dance under the Swastika to Movement Education: A Study of Embodied Culture / _rPatricia Vertinsky -- _tPolitical Body Spaces in the Performances of William Forsythe / _rGabriele Brandstetter -- _tReading Skin Signs: Decoding Skin as the Fluid Boundary between Self and Other in Yoko Tawada / _rJeremy Redlich -- _tThe Body in Space: Layers of Gender in Japanese Classical Dance / _rColleen Lanki -- _tCounter-Narrativity and Corporeality in Kishida Rio’s Ito Jigoku / _rYasuko Ikeuchi -- _tThe Absence of Voices in the Theatre Space: Ku Nauka’s Production of Medea / _rEiichiro Hirata -- _tStaging Culture – Staging Nature: Polynesian Performance as Nature and Nature as Performance in Hawaii / _rSabine Wilke -- _tMoving through Fashion in Nineteenth-Century France / _rSima Godfrey -- _tReading Bodies: Female Secrecy and Sexuality in the Works of Renoir and Degas / _rKathryn Brown -- _tCorporeal Topographies of the Image Zone: From Oskar Kokoschka’s Murder of Metaphor to Georges Bataille’s acéphale / _rRainer Rumold -- _tSomatechnics and Makeover Reality TV: The Symbiotic Viewer/Participant Relationship / _rBeth Pentney -- _tThe Body as Object: From Body Image to Meta-Body / _rRobert Pritchard -- _tTouched: Organization, Control and Emergence in Choreographed Performance Systems / _rHenry Daniel -- _tList of Contributors / _rEditors Performative Body Spaces -- _tIndex / _rEditors Performative Body Spaces. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aThe human body as cultural object always has and is a performing subject, which binds the political with the theatrical, shows the construction of ethnicity and technology, unveils private and public spaces, transgresses race and gender, and finally becomes a medium that overcomes the borders of art and life. Since there cannot be a universal definition of the human body due to its culturally performative role as a producer of interactive social spaces, this volume discusses body images from diverse cultural, historical, and disciplinary perspectives, such as art history, human kinetics and performance studies. The fourteen case studies reach from Asian to European studies, from 19th century French culture to 20th century German literature, from Polish Holocaust memoirs to contemporary dance performances, from Japanese avant-garde theatre to Makeover Reality TV shows. This volume is of interest for performance studies artists as well. By focusing on the intersection of body and space, all contributions aim to bridge the gap between art practices and theories of performativity. The innovative impulse of this approach lies in the belief that there is no distinction between performing, discussing, and theorizing the human body, and thus fosters a unique transdisciplinary and international collaboration around the theme performative body spaces. (I. Biopolitical Choreographies, II. Transcultural Topographies, III. Corporal Mediations, IV. Controlled Interfaces.) | ||
| 650 | 0 |
_aHuman body in popular culture _vCongresses. |
|
| 650 | 0 |
_aHuman body _xSocial aspects _vCongresses. |
|
| 650 | 7 |
_aHuman body in popular culture. _2fast |
|
| 650 | 7 |
_aHuman body _xSocial aspects. _2fast |
|
| 655 | 7 |
_aConference papers and proceedings. _2fast |
|
| 700 | 1 | _aHallensleben, Markus. | |
| 711 | 2 |
_aBody Spaces, Corporeal Topographies in Literature, Theatre, Dance, and the Visual Arts _d(2008 : _cVancouver) |
|
| 776 | 0 | 8 |
_iPrint version: _tPerformative body spaces. _dAmsterdam ; New York, NY : Rodopi, ©2010 _z9789042031937 |
| 830 | 0 |
_aCritical Studies _v33. |
|
| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2010, ISBN: 9789004357921. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789042031944 |
|
| 999 |
_c15958 _d15958 |
||