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020			_a9789004759947 _q(electronic book)
020			_z9789004691704 _q(print)
024	7		_a10.1163/9789004759947 _2DOI
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245	1	0	_aT.S. Eliot’s Four Quartets in Italy : _bTranslations, Appropriations, Canonization (1944-2013) / _cEleonora Gallitelli.
246	3		_aTranslations, Appropriations, Canonization (1944-2013)
264		1	_aLeiden ; _aBoston : _bBRILL, _c2026.
264		4	_c©2026
300			_a1 online resource (200 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aLiterary Reception & Art Reception ; _v3
490	1		_aLiterature and Cultural Studies E-Books Online, Collection 2026
504			_aIncludes bibliographical references and index.
505	0		_tContents -- Bibliographical Note -- Acknowledgements -- List of Figures -- Introduction -- Part 1 Prelude (1925–1944) -- 1 The Reception of T.S. Eliot in Italy between the Two World Wars -- 1.1 From an “Appetizing Morsel” to a “Very Troubled Soul” -- 1.2 The Italian Debut of the “Young English Poet” -- 1.3 Praz as Mediator between Eliot and Montale -- 1.4 Montale as Translator of Eliot -- 2 Genesis and Critical Reception in the Anglo-American Context -- 2.1 Genesis of the Work -- 2.2 Critical Reception in the Anglophone Context -- Part 2 The Italian Reception in the Periodicals of the 194s -- 3 Elio Vittorini and the “Eliot Affair” in Il Politecnico and Sud -- 3.1 Il Politecnico and Sud: a Comparison of the Two Journals -- 3.2 Eliot and Anglo-American Poetry in the Two Journals -- 3.3 Little Gidding in Il Politecnico -- 3.4 East Coker in Sud -- 4 The London-Florence Axis: Montano, Cecchi, Guidacci and Traverso -- 4.1 East Coker: the Fragments Translated by Lorenzo Montano -- 4.2 East Coker: Other Fragments Translated by Emilio Cecchi -- 4.3 Little Gidding and The Dry Salvages: the Fragments Translated by Margherita Guidacci -- 4.4 The Dry Salvages: Leone Traverso’s Translation -- 4.5 Burnt Norton: Margherita Guidacci’s Translation -- 4.6 East Coker: Emilio Cecchi’s Translation -- 4.7 East Coker: Margherita Guidacci’s Translation -- 4.8 The Quartets, Cecchi and Mondadori: an Abandoned Edition -- Part 3 Complete Translations (1952–213) -- 5 The Translations of the 195s -- 5.1 The First Complete Translation by Alfredo Rizzardi in Fiera Letteraria -- 5.2 The “Canonized” Translation by Filippo Donini for Garzanti -- 6 Recent Translations -- 6.1 Angelo Tonelli’s Translation (Feltrinelli, 1995) -- 6.2 Elio Grasso’s and Roberto Sanesi’s Translations (Palomar, 2; Book, 22) -- 6.3 The La Capria-Muñoz Multimodal Edition (Enrico Damiani Editore, 213) -- Conclusion -- Bibliography -- Index.
520			_aWhat happened to Four Quartets in Italy? How were they read by Italian intellectuals? This volume traces the history of the Italian reception of Eliot’s masterpiece, from the early struggle for appropriation in literary magazines – where the poems were alternately framed as expressions of resignation or hope, Hermetic grammar or intimate music – to their eventual canonization and illustration. While two Neapolitan translators, influenced by Elio Vittorini, offered an ideological reading, Florentine poets sought to make Eliot’s verses sound precious and obscure. It was a woman poet who first provided a religious interpretation of the poem, a diplomat who finally published it in book form and an Argentinian artist who translated its words into images.
546			_aEnglish
588			_aDescription based on print version record.
650	0	0	_aLiterature and Cultural Studies.
650	0	0	_aCriticism & Theory.
650	0	0	_aComparative Studies & World Literature.
100	1		_aGallitelli, Eleonora, _eauthor.
776	0	8	_iPrint version: _tT.S. Eliot’s Four Quartets in Italy : Translations, Appropriations, Canonization (1944-2013). _z9789004691704 _w(OCoLC)1563991744 _w(DLC) 2026933349
830		0	_aLiterary Reception & Art Reception ; _v3.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2026.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004759947
999			_c15900 _d15900