000			02159nam a22004698i 4500
001			BRILL9789004699144
003			nllekb
005			20260610104849.0
007			cr un uuuua
008			240531s2024 gw sb 001 0 eng d
020			_a9789004699144 _q(electronic book)
020			_z9789004537095 _q(print)
024	7		_a10.1163/9789004699144 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aN7480
072		7	_aABA _2bicssc
072		7	_aART _x009000 _2bisacsh
072		7	_aPHI _x001000 _2bisacsh
082	0	4	_a709 _223
100	1		_aLi, Yu-Chieh, _eauthor.
245	1	0	_aApproaching Autonomy: Post-socialist Conceptualism in Chinese Art / _cYu-Chieh Li.
264		1	_aLeiden ; _aBoston : _bBrill, _c2024.
264		4	_c©2024
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aAsian Studies E-Books Online, Collection 2024
490	1		_aModern Asian Art and Visual Culture
504			_aIncludes bibliographical references and index.
520			_aThis book explores works by key artists who shaped conceptualism in post-Mao China. Drawing from understudied archival materials and qualitative research, it analyzes artistic struggles for autonomy, re-evaluating Robert Rauschenberg’s 1985 exhibition in Beijing and Chinese artists’ exploration of appropriation, affect, dehumanization, and collective practice since the 1980s. A continuous development can be found in the politics and aesthetics of post-socialism, which has struggled to define its space for expression, from the 1980s until today.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aArt History.
650		0	_aArt Theory.
650		0	_aAsian Studies.
776	0	8	_iPrint version: _tApproaching Autonomy: Post-socialist Conceptualism in Chinese Art : . _dLeiden ; Boston : Brill, 2024. _z9789004537095
830		0	_aAsian Studies E-Books Online, Collection 2024.
830		0	_aModern Asian Art and Visual Culture.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004699144
999			_c15889 _d15889