| 000 | 03230nam a22004578i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004490550 | ||
| 003 | nllekb | ||
| 005 | 20260610104849.0 | ||
| 007 | cr un uuuua | ||
| 008 | 200716s2004 ne sb 001 0 eng d | ||
| 020 |
_a9789004490550 _q(electronic book) |
||
| 020 |
_a9789042011656 _q(print) |
||
| 024 | 7 |
_a10.1163/9789004490550 _2DOI |
|
| 035 | _z(OCoLC)54376015 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
||
| 050 | 4 | _aPQ2605 | |
| 072 | 7 |
_aJFC _2bicssc |
|
| 072 | 7 |
_aSOC _x026000 _2bisacsh |
|
| 072 | 7 |
_aSOC _x022000 _2bisacsh |
|
| 082 | 0 | 4 |
_a844.914 _223 |
| 100 | 1 |
_aBrown, James W. _eauthor. |
|
| 245 | 1 | 0 |
_a'Sensing', 'Seeing', 'Saying' in Camus' Noces : _bA Meditative Essay / _cJames W. Brown. |
| 246 | 3 | _aA Meditative Essay | |
| 264 | 1 |
_aLeiden; _aBoston : _bBRILL, _c2004. |
|
| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _2rdacarrier |
||
| 490 | 1 | _aBrill Book Archive Part 1, ISBN: 9789004472495 | |
| 490 | 1 |
_aChiasma ; _v14 |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aAcknowledgements -- Introduction -- Chapter I "NOCES à TIPASA" : SUN, SEA AND SKY -- Chapter II MODULATIONS AND MOVEMENTS IN NARRATIVE VOICE -- Chapter III THE TRANSPERSONAL CONSCIOUSNESS IN NOCES -- Chapter IV THOUGHT, ACTION AND THE IMAGE -- Chapter V THE DISCURSIVE MIND AND THE QUEST FOR PERMANENCE -- Conclusion THE MERGING OF THE READER'S CONSCIOUSNESS AND THE NARRATOR'S VOICE -- BIBLIOGRAPHY. | |
| 520 | _aJames Brown's study of Camus' Noces explores the many crossovers from mind to text by recording the writer's consciousness as an emanation and the reader's consciousness as a reception-perception. Writer and reader become one in this movement. Their shared mental space is analogous to the locus of the transmission of wisdom in many spiritual traditions. This book focuses on the textual and linguistic means through which the crossover takes place. Brown's new reading of Camus is an outgrowth of bare awareness meditation. He subjects a text that was intended by Camus as meditation to another meditative consciousness, that of the reader-writer who comes to Noces without ideological baggage. In this sense the reading process itself becomes an 'essay' in the original meaning of the word: a trial, an attempt, an inquiry. Another original aspect of ' Sensing ', ' Seeing ', ' Saying ' is the fact that the reading process doubles as non-directed meditative practice, for it does not attempt to interpret, judge, or evaluate the text in question but aims to engage it spiritually, to enter into its 'presence'. As background to his reading the author uses vipashyana , or insight meditation, which derives directly from the Buddha's own experience and teaching. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aMeditation. | |
| 776 | 0 | 8 |
_iPrint version: _t'Sensing', 'Seeing', 'Saying' in Camus' Noces : A Meditative Essay. _dLeiden ; Boston : BRILL, 2004 _z9789042011656 |
| 830 | 0 | _aBrill Book Archive Part 1, ISBN: 9789004472495. | |
| 830 | 0 |
_aChiasma ; _v14. |
|
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004490550 |
|
| 999 |
_c15863 _d15863 |
||