| 000 | 02854nam a2200505 i 4500 | ||
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| 001 | BRILL9789004356269 | ||
| 003 | nllekb | ||
| 005 | 20260610104848.0 | ||
| 007 | cr un uuuua | ||
| 008 | 171121s2018 ne a sb 001 0 eng d | ||
| 020 |
_a9789004356269 _q(electronic book) |
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| 020 |
_z9789004354524 _q(print) |
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| 024 | 7 |
_a10.1163/9789004356269 _2DOI |
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| 035 |
_a(OCoLC)1012487573 _z(OCoLC)1012809574 |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aBF311 _b.T34 2018 |
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| 072 | 7 |
_aPSY _x008000 _2bisacsh |
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| 072 | 7 |
_aSCI _x090000 _2bisacsh |
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| 072 | 7 |
_aDS _2bicssc |
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| 072 | 7 |
_aLIT000000 _2bisacsh |
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| 082 | 0 | 4 |
_a153 _223 |
| 100 | 1 | _aTague, Gregory. | |
| 245 | 1 | 0 |
_aArt and adaptability : _bconsciousness and cognitive culture / _cGregory F. Tague. |
| 264 | 1 |
_aLeiden : _bBrill Rodopi. |
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| 264 | 4 | _cc2018. | |
| 300 |
_a1 online resource (xii, 204 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aConsciousness, Literature and the Arts ; _vv. 52 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aIntroduction: Setting Boundaries -- Intelligence: Communication and Theory of Mind -- Culture: The Adapted Mind -- Adaptive Functions: Selection and the Human Psyche -- Objections: Philosophy and Byproducts -- Neurobiology and Cognition: Consciousness and Representation -- Conclusion: The Arts and Sciences. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aArt and Adaptability argues for a co-evolution of theory of mind and material/art culture. The book covers relevant areas from great ape intelligence, hominin evolution, Stone Age tools, Paleolithic culture and art forms, to neurobiology. We use material and art objects, whether painting or sculpture, to modify our own and other people’s thoughts so as to affect behavior. We don’t just make judgments about mental states; we create objects about which we make judgments in which mental states are inherent. Moreover, we make judgments about these objects to facilitate how we explore the minds and feelings of others. The argument is that it’s not so much art because of theory of mind but art as theory of mind. | ||
| 650 | 0 | _aConsciousness. | |
| 650 | 0 |
_aArts _xPsychological aspects. |
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| 650 | 0 |
_aConsciousness in literature _xHistory and criticism. |
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| 650 | 0 | _aConsciousness in art. | |
| 650 | 0 |
_aCognition _xSocial aspects. |
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| 776 | 0 | 8 |
_iPrint version: _aTague, Gregory F. _tArt and adaptability _z9789004356269 _w(OCoLC)1012100263 |
| 830 | 0 |
_aConsciousness, Literature and the Arts _v52. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2017, ISBN: 9789004328075. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004356269 |
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| 999 |
_c15803 _d15803 |
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