000 04020cam a2200541Ii 4500
001 BRILL9789042026995
003 nllekb
005 20260610104847.0
007 cr un uuuua
008 100111s2009 ne sb 001 0 eng d
020 _a9789042026995
_q(electronic book)
020 _z9789042026988
_q(print)
024 7 _a10.1163/9789042026995
_2DOI
035 _a(OCoLC)496807190
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPR8603
_b.J66 2009
072 7 _aJFC
_2bicssc
072 7 _aSOC022000
_2bisacsh
082 0 4 _a823.9140989163
100 1 _aJones, Carole,
_d1963-
245 1 0 _aDisappearing men :
_bgender disorientation in Scottish fiction 1979-1999 /
_cCarole Jones.
264 1 _aAmsterdam ;
_aNew York, NY :
_bRodopi,
_c2009.
300 _a1 online resource (208 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aScottish cultural review of language and literature,
_x1571-0734 ;
_vv. 12
500 _aBased on the author's thesis (doctoral)--Trinity College, Dublin, 2004.
504 _aIncludes bibliographical references (p. 193-206) and index.
505 0 0 _aPreliminary Material -- Acknowledgements -- Dissonant Selves and the Literature of Gender Disorientation -- James Kelman – “that was him, out of sight”: Masculine Models and Limitations -- Janice Galloway – “Defying Gravity”: Escaping the Attractions of Patriarchy -- Being Between: Passing and the Limits of Subverting Masculinity in Jackie Kay’s Trumpet -- A.L. Kennedy – Indelible Belief: The Quest for Faith in Uncertainty -- Alan Warner: Escape from Masculinity -- “Burying the Man That Was” -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aDisappearing Men examines the complex and rebellious representations of gender in the work of several writers of ‘devolutionary’ Scottish fiction in the period 1979 to 1999. The study focuses on the context of a ‘crisis in masculinity’ accompanying the rapidly changing male role in the period, concluding that men often disappear from sight in this writing, highlighting issues of male insecurity and female disorientation in a new gender landscape. Hence the novels examined here by authors James Kelman, Jancie Galloway, Jackie Kay, A.L. Kennedy and Alan Warner, strongly challenge the stereotype of the Scottish ‘hardman’ and his dominance in 20th century Scottish fiction. Disappearing Men dissects this challenge by giving major consideration to the relationship between the innovative literary forms often found in this writing and the concepts of selfhood they give rise to. The possibilities inherent in these texts of reimagining gender identity and relations make them important contemporary documents of our struggles with realising selfhood and relations with others. A sustained and intimate analysis, this monograph will be of crucial interest to those concerned with issues of gender and representation in our rapidly changing era.
648 7 _a1900-1999
_2fast
650 0 _aEnglish fiction
_xScottish authors
_xHistory and criticism.
_y20th century
650 0 _aScottish fiction
_y20th century
_xHistory and criticism.
650 0 _aGender identity in literature.
650 0 _aMen in literature.
650 7 _aEnglish fiction
_xScottish authors.
_2fast
650 7 _aGender identity in literature.
_2fast
650 7 _aMen in literature.
_2fast
650 7 _aScottish fiction.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iPrint version:
_tDisappearing Men: Gender Disorientation in Scottish Fiction 1979-1999
_dLeiden, Boston : Brill | Rodopi, 2009,
_z9789042026988
830 0 _aSCROLL: Scottish Cultural Review of Language and Literature
_v12.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2009, ISBN: 9789004357945.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789042026995
999 _c15788
_d15788