000			04688cam a2200493Ii 4500
001			BRILL9789401210423
003			nllekb
005			20260610104847.0
007			cr un uuuua
008			140117s2014 ne a sb 000 0 eng d
020			_a9789401210423 _q(electronic book)
020			_z9789042037946 _q(print)
024	7		_a10.1163/9789401210423 _2DOI
035			_a(OCoLC)868558174
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aGN666 _b.D43 2014
072		7	_aDU _2lcco
072		7	_aHN _2lcco
072		7	_aJFSL9 _2bicssc
072		7	_aSOC020000 _2bisacsh
082	0	4	_a820.9899/15 _223
245	0	0	_aDecolonizing the landscape : _bindigenous cultures in Australia / _cedited by Beate Neumeier and Kay Schaffer.
246	3	0	_aIndigenous cultures in Australia
264		1	_aAmsterdam : _bRodopi, _c2014.
300			_a1 online resource (xix, 296 pages) : _billustrations (some color)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aCross/cultures, _x0924-1426 ; _v173
504			_aIncludes bibliographical references.
505	0	0	_tPreliminary Material -- _tFrom Drill to Dance / _rKim Scott -- _tThe Great Tradition: Translating Durrudiya’s Songs / _rStephen Muecke -- _tAboriginal Families, Knowledge, and the Archives: A Case Study / _rAnna Haebich -- _tDecolonizing Methodology in an Arnhem Land Garden / _rMichael Christie -- _tThe ‘Cultural Design’ of Western Desert Art / _rEleonore Wildburger -- _tModernism, Antipòdernism, and Australian Aboriginality / _rIan Henderson -- _tMaterial Resonance: Knowing Before Meaning / _rBill Ashcroft -- _tWaiting at the Border: White Filmmaking on the Ground of Aboriginal Sovereignty / _rLisa Slater -- _tWounded Spaces/Geographies of Connectivity: Stephen Muecke’s No Road (bitumen all the way), Margaret Somerville’s Body/Landscape Journals, and Katrina Schlunke’s Bluff Rock: Autobiography of a Massacre / _rKay Schaffer -- _tRecovering the Past: Entangled Histories in Kim Scott’s That Deadman Dance / _rSue Kossew -- _tThe Geopolitical Underground: Alexis Wright’s Carpentaria, Mining, and the Sacred / _rPhilip Mead -- _tIdentity and the Re-Assertion of Aboriginal Knowledge in Sam Watson’s The Kadaitcha Sung / _rHeinz Antor -- _tGallows Humour and Stereotyping in the Nyungar Writer Alf Taylor’s Short Fiction: A White Cross-Racial Reading / _rAnne Brewster -- _t“And in my dreaming I can let go of the spirits of the past”: Gothicizing the Common Law in Richard Frankland’s No Way to Forget / _rKatrin Althans -- _tPerformative Lives – Transformative Practices: Wesley Enoch and Deborah Mailman, The 7 Stages of Grieving, and Richard Frankland, Conversations with the Dead / _rBeate Neumeier -- _tNotes on Contributors.
506			_aAvailable to subscribing member institutions only.
520			_aHow does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for entering into a more authentic dialogue with Indigenous writers and critics.
650		0	_aAboriginal Australians _xCultural assimilation.
650		7	_aAboriginal Australians _xCultural assimilation. _2fast
700	1		_aNeumeier, Beate.
700	1		_aSchaffer, Kay, _d1945-
776	0		_z9789401210423
776	0		_w(GyWOH)har145001174
830		0	_aCross/Cultures _v173.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789401210423
999			_c15784 _d15784