| 000 | 02869nam a2200481 i 4500 | ||
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| 001 | BRILL9789004248991 | ||
| 003 | nllekb | ||
| 005 | 20260610104842.0 | ||
| 007 | cr un uuuua | ||
| 008 | 130909s2013 mau b 001 0 eng | ||
| 010 | _a 2013034168 | ||
| 020 |
_a9789004248991 _q(electronic book) |
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| 020 |
_z9789004248984 _q(print) |
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| 024 | 7 |
_a10.1163/9789004248991 _2DOI |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 042 | _apcc | ||
| 050 | 4 |
_aB3199.A34 _bL36 2013 |
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| 072 | 7 |
_aSOC026000 _2bisacsh |
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| 082 | 0 | 4 |
_a193 _223 |
| 100 | 1 | _aLanning, Robert,d1948- | |
| 245 | 1 | 0 |
_aIn the hotel abyss : _ban Hegelian-Marxist critique of Adorno / _cBy Robert Lanning. |
| 263 | _a1311-- | ||
| 264 | 1 |
_aBoston : _bBrill, _c2013. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aStudies in critical social sciences ; _vv. 60 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material / _rRobert Lanning -- _tIntroduction / _rRobert Lanning -- _tHegel, Marx, Dialectics / _rRobert Lanning -- _tAspects of Adorno’s Method: Constellations and Images / _rRobert Lanning -- _tJazz, Radio and the Masses / _rRobert Lanning -- _tThe Masses and Pro-fascist Propaganda / _rRobert Lanning -- _tMediation / _rRobert Lanning -- _tNegative Dialectic, Identity and Exchange / _rRobert Lanning -- _tConclusion / _rRobert Lanning -- _tReferences / _rRobert Lanning -- _tIndex / _rRobert Lanning. |
| 520 | _aThis book is a critical analysis of a selection of Adorno’s work framed by four essential concerns: 1) Adorno’s method of analysis; 2) the absence of a theory of social change; 3) the relationship of his approach to the dialectics of Hegel and Marx, particularly, to others in and around the Frankfurt School (Benjamin, Kracauer, Marcuse), and in contrast to scholars such as Lukács and Bloch; and 4) Adorno’s use of his approach with respect to jazz, popular music, radio and pro-fascist propaganda of the 1930s and 40s as an instrument to disparage the working class. The argument is not an affirmation of Adorno’s work, but argues against the significance of aspects of his theoretical perspective. | ||
| 600 | 1 | 0 |
_aAdorno, Theodor W., _d1903-1969. |
| 600 | 1 | 0 |
_aMarx, Karl, _d1818-1883. |
| 600 | 1 | 0 |
_aHegel, Georg Wilhelm Friedrich, _d1770-1831. |
| 650 | 0 | _aMethodology. | |
| 650 | 0 | _aDialectic. | |
| 650 | 0 | _aCritical theory. | |
| 776 | 0 | 8 |
_iPrint version: _tIn the Hotel Abyss: An Hegelian-Marxist Critique of Adorno _dLeiden, Boston : BRILL, 2014, _z9789004248984 |
| 830 | 0 |
_aStudies in Critical Social Sciences _v60. |
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| 830 | 0 | _aSocial Sciences E-Books Online, Collection 2014, ISBN: 9789004262508. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004248991 |
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| 999 |
_c15486 _d15486 |
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