000			06425nam a2200541 i 4500
001			BRILL9789004310506
003			nllekb
005			20260610104837.0
007			cr un uuuua
008			160308s2016 ne sb 001 0 eng d
010			_a 2016011592
020			_a9789004310506 _q(electronic book)
020			_z9789004310490 _q(print)
024	7		_a10.1163/9789004310506 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
043			_aev-----
050		4	_aDL87
072		7	_aDS _2bicssc
072		7	_aLIT000000 _2bisacsh
082	0	4	_a700/.411094809045 _223
245	0	2	_aA cultural history of the avant-garde in the Nordic countries, 1950-1975 / _cedited by Tania Ørum, Jesper Olsson.
264		1	_aLeiden ; _aBoston : _bBrill/Rodopi, _c2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aAvant-garde critical studies, _x1387-3008 ; _vv. 32
504			_aIncludes bibliographical references and index.
505	0	0	_tPreliminary Material / _rTania Ørum and Jesper Olsson -- _tThe Post-War Avant-Garde in the Nordic Countries / _rTania Ørum -- _tPolitics and Play – The Impure Arts of Öyvind Fahlström / _rJesper Olsson -- _tThe Female Christ at the Stock Exchange / _rRune Gade -- _tBiological Avant-Garde – Inger Christensen’s det / _rTue Andersen Nexø -- _tImages of Women / _rBirgitte Anderberg -- _tThe Kitchen – An Offspring of Steina and Woody Vasulka / _rHalldór Björn Runólfsson -- _tThe Social Avant-Garde – The ‘Democratisation’ of Literature in the Early 1960s in Sweden / _rChrister Ekholm -- _tCulture Wars in Denmark / _rTania Ørum -- _tThe Moderna Museet in Stockholm – The Institution and the Avant-Garde / _rAnnika Öhrner -- _tThe Fylkingen Concert Society, 1950–1975 / _rSanne Krogh Groth -- _tSelf-Organisation in the Avant-Garde of the 1960s / _rTania Ørum -- _tÅke Hodell’s Kerberos – A Case Study / _rFred Andersson -- _tMorten Krohg and Art’s Oppositional Role / _rKari J. Brandtzæg -- _tEMS – The Electronic Music Studio in Stockholm / _rSanne Krogh Groth -- _tSubpublications from a Basement in Snaregade 6, Copenhagen – Arena Sub-Pub (1969–1970) / _rThomas Hvid Kromann -- _tAn Open Field of Play and Experimentation – The Little Magazine Birtingur / _rÞröstur Helgason -- _tTvångs-Blandaren – Stuff in a Box / _rJesper Olsson -- _tRondo and Gorilla – Magazine and Calendar / _rJesper Olsson -- _tAgainst Restrictions and Exclusions – For Expansion and Inclusions – The Little Magazine ta’ (1967–68) / _rThomas Hvid Kromann -- _tA Time Capsule from the Sixties – The Little Magazine ta’ BOX (1969–1970) / _rThomas Hvid Kromann -- _tIn the Service of the Revolution – The Little Magazine MAK (1969–1970) / _rThomas Hvid Kromann -- _tProfil 1966–69 – Triumph and Crisis of the Collective / _rSissel Furuseth -- _tChristian Dotremont’s Logogrammes and Logoneiges – European Avant-Garde Inspired by Lapland / _rHarri Veivo -- _tExile, Correspondence, Rebellion – Tracing the Interactive Relationship between Iceland and Dieter Roth / _rAnna Jóhannsdóttir -- _tGalerie Køpcke – An Artist-Run Gallery in Copenhagen 1958–1962 / _rAnneli Fuchs -- _tAction Music! – Nam June Paik in Scandinavia, 1961 / _rSøren Møller Sørensen -- _tClothing Irons and Whisky Bottles – Creating an Icelandic Musical Avant-Garde / _rÁrni Heimir Ingólfsson -- _tErró, or the Porousness of Borders / _rDanielle Kvaran -- _tThe Situationist Offensive in Scandinavia / _rMikkel Bolt Rasmussen -- _tSÚM – The Flux in Iceland / _rHalldór Björn Runólfsson -- _tFluxus, Eric Andersen and the Communist East / _rPeter van der Meijden -- _tMaking Choices – Debatable Translations and Publication Policies of Finnish Cultural Magazines / _rJanna Kantola -- _tChance and Play, or Marvellous Machines – A Forgotten Swedish Film Avant-Garde / _rJohn Sundholm -- _tRadiophonic Poetry and a Blind Movie – Öyvind Fahlström’s Sound Art / _rJesper Olsson -- _tThe Medium is the Message – Danish Radio Experiments of the 1960s / _rTania Ørum -- _tWhat’s Wrong with Billy Spafon? / _rJonas Ingvarsson -- _tComics and the Avant-Garde / _rJonas Ingvarsson -- _tConcrete Poetry as Sign of Technological Changes in Society / _rTania Ørum -- _tCollaborators in Art and Technology – The Case of Billy Klüver / _rJesper Olsson.
506			_aAvailable to subscribing member institutions only.
520			_aA Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aAvant-garde (Aesthetics) _zScandinavia _xHistory _y20th century.
650		0	_aArts, Scandinavian _xHistory _y20th century.
650		0	_aPolitics and culture _zScandinavia _xHistory _y20th century.
650		0	_aArts and society _zScandinavia _xHistory _y20th century.
650		0	_aWorld War, 1939-1945 _xInfluence.
651		0	_aScandinavia _xIntellectual life _y20th century.
651		0	_aScandinavia _xPolitics and government _y1945-
651		0	_aScandinavia _xSocial conditions _y20th century.
700	1		_aØrum, Tania.
700	1		_aOlsson, Jesper.
776	0	8	_iPrint version: _tCultural history of the avant-garde in the Nordic countries, 1950-1975 _dLeiden ; Boston : Brill/Rodopi, 2016 _z9789004310490 _w(DLC) 2016000260
830		0	_aAvant-Garde Critical Studies _v32.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2016, ISBN: 9789004303928.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004310506
999			_c15211 _d15211