000			03946nam a2200505 i 4500
001			BRILL9789004308053
003			nllekb
005			20260610104834.0
007			cr un uuuua
008			151224s2016 mau sb 001 0 eng d
010			_a 2015050996
020			_a9789004308053 _q(electronic book)
020			_z9789004308046 _q(print)
024	7		_a10.1163/9789004308053 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-it--- _ae------
050		4	_aND2755
072		7	_aHB _2bicssc
072		7	_aHIS000000 _2bisacsh
082	0	4	_a751.7/3094509032 _223
245	0	0	_aExuberant apotheoses- Italian frescoes in the Holy Roman Empire : _bvisual culture and princely power in the Age of Enlightenment / _cEdited by Daniel Fulco.
264		1	_aBoston : _bBrill, _c2016.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aBrill's studies in intellectual history ; _vv. 255
490	0		_aBrill's studies on art, art history, and intellectual history ; _vv. 15
504			_aIncludes bibliographical references and index.
505	0	0	_aPreliminary Material -- Introduction -- 1 The Aftermath of Military Conflict: A Rise in Princely Visual Culture (1648–1710) -- War and International Politics: The Staircase Frescoes of Schloss Bensberg (1710–1714) -- Dynasticism and Cultural Philanthropy: The Pictorial Program of Schloss Bensberg’s State Rooms (1710–1714) -- The Blue Elector’s Aeneas: Jacopo Amigoni’s Images of War and Triumph at Schloss Schleissheim (1724–1726) -- Ducal Power and Munificence: Carlo Innocenzo Carlone’s Frescoes in Schloss Ludwigsburg (1731–1733) -- Prince-Episcopal Patronage and World Civilization: Giovanni Battista Tiepolo’s Apollo and the Four Continents in the Würzburg Residenz (1751–1753) -- Excursus: Italo-Germanic Artistic Exchange and Collaboration -- Epilogue -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aFrom the late seventeenth through the mid-eighteenth centuries, large-scale Italian frescoes soared in popularity as nobles in the German principalities of the Holy Roman Empire constructed new palaces at an unprecedented rate. They competed with one another to produce lavish decorative schemes that expressed their claim to princely power and political authority. Whereas previous art historians have primarily focused on iconographic and stylistic issues and generally treated these programs as individual commissions of regional courts, this book places the works of art within their broad cultural and historical contexts during the Enlightenment. This monograph explains how rulers gradually shifted from emphasizing military heroism to stressing their cultivation of the arts and sciences, and addresses how expressing membership in a specifically European civilization emerged as an integral visual theme and a key ambition of the German nobility.
588			_aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650		0	_aMural painting and decoration, Italian _zHoly Roman Empire _y17th century _xThemes, motives.
650		0	_aMural painting and decoration, Italian _zHoly Roman Empire _y18th century _xThemes, motives.
650		0	_aArt patronage _zHoly Roman Empire.
650		0	_aEnlightenment _zEurope, German-speaking.
651		0	_aHoly Roman Empire _xIntellectual life.
700	1		_aFulco, Daniel.
776	0	8	_iPrint version: _tExuberant apotheoses- Italian frescoes in the Holy Roman Empire _dBoston : Brill, 2016 _z9789004308046 _w(DLC) 2015050257
830		0	_aBrill's Studies in Intellectual History _v255/15.
830		0	_aBrill's Studies in Intellectual History Online, Supplement 2016, ISBN: 9789004309685.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004308053
999			_c15067 _d15067