000			03872nam a22005058i 4500
001			BRILL9789004657564
003			nllekb
005			20260610104833.0
007			cr un uuuua
008			240309s1997 gw sb 001 0 eng d
020			_a9789004657564 _q(electronic book)
020			_z9789042001473 _q(print)
024	7		_a10.1163/9789004657564 _2DOI
035			_a(OCoLC)609525458
040			_aNL-LeKB _cNL-LeKB _erda
041			_aeng
050		4	_aPN3377.5.S77
072		7	_aDSB _2bicssc
072		7	_aLIT _x000000 _2bisacsh
082	0	4	_a401.41 _223
100	1		_aTumanov, Vladimir, _eauthor.
245	1	0	_aMind Reading : _bUnframed Direct Interior Monologue in European Fiction / _cVladimir Tumanov.
246	3		_aUnframed Direct Interior Monologue in European Fiction
264		1	_aLeiden ; _aBoston : _bBrill, _c1997.
264		4	_c©1997
300			_a1 online resource (152 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; _v19
490	1		_aLiterature and Cultural Studies - Book Archive pre-2000
504			_aIncludes bibliographical references and index.
505	0		_tPreliminary Material / _rVladimir Tumanov -- Preface / _rVladimir Tumanov -- Introduction / _rVladimir Tumanov -- Chapter One Inner Speech / _rVladimir Tumanov -- Chapter Two Vsevolod Garshin: "Four Days" / _rVladimir Tumanov -- Chapter Three Edouard Dujardin: Les Lauriers sont coupés / _rVladimir Tumanov -- Chapter Four Arthur Schnitzler: Leutnant Gustl / _rVladimir Tumanov -- Chapter Five Valéry Larbaud: Amants, heureux amants… / _rVladimir Tumanov -- Conclusion / _rVladimir Tumanov -- Bibliography / _rVladimir Tumanov.
520			_aIn this book literary interior monologue is considered in relation to extraliterary phenomena, as well as narrative theory. The central question posed by this study is: what makes a particular interior monologue believable, given the unobservable nature of human thought? The discussion revolves around the unobservable counterpart of literary interior monologue, i.e., what is known in psychology as inner speech . Taking various experimental findings and theories from Soviet and American research on inner speech, the author compares them with literary interior monologue and tries to account for similarities and differences. Examples of literary interior monologue are analyzed in comparison with data from the linguistic study of real oral spontaneous discourse (also known as face-to-face communication). In the context of this interdisciplinary framework four examples of literary interior monologue are considered: V.M. Garshin's Four Days (1877), E. Dujardin's Les Lauriers sont coupés (1887), A Schnitzler's Leutnant Gustl (1900) and V. Larbaud's Amants, heureux amants... (1921). The inclusion of data from psychology and research on face-to-face communication makes a unique contribution not only to narrative theory, but also to the understanding of the relationship between literary and extraliterary communication.
546			_aEnglish
588			_aDescription based on print version record.
650		0	_aDiscourse analysis, Narrative.
650		0	_aInterior monologue.
650		0	_aStream of consciousness fiction _xHistory and criticism.
776	0	8	_iPrint version: _tMind Reading : Unframed Direct Interior Monologue in European Fiction. _dLeiden ; Boston : Brill, 1997. _z9789042001473 _w(OCoLC)36641173 _w(DLC) 97131379
830		0	_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; _v19.
830		0	_aLiterature and Cultural Studies - Book Archive pre-2000.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004657564
999			_c15004 _d15004