| 000 | 03272cam a2200565Ii 4500 | ||
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| 001 | BRILL9789401211772 | ||
| 003 | nllekb | ||
| 005 | 20260610104832.0 | ||
| 007 | cr un uuuua | ||
| 008 | 141017s2014 ne sb 001 0 eng d | ||
| 020 |
_a9789401211772 _q(electronic book) |
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| 020 |
_z9789042038950 _q(print) |
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| 024 | 7 |
_a10.1163/9789401211772 _2DOI |
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| 035 |
_a(OCoLC)893407703 _z(OCoLC)896498102 _z(OCoLC)900447567 |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aPN49 _b.T34 2014 |
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| 072 | 7 |
_aBJ _2lcco |
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| 072 | 7 |
_aQ _2lcco |
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| 072 | 7 |
_aPN _2lcco |
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| 072 | 7 |
_aDSBD _2bicssc |
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| 072 | 7 |
_aLIT015000 _2bisacsh |
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| 082 | 0 | 4 |
_a801 _223 |
| 100 | 1 | _aTague, Gregory. | |
| 245 | 1 | 0 |
_aMaking mind : _bmoral sense and consciousness in philosophy, science, and literature / _cGregory F. Tague. |
| 246 | 1 | _aMoral sense and consciousness in philosophy, science, and literature | |
| 264 | 1 |
_aAmsterdam ; _aNew York : _bRodopi, _c2014. |
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| 300 | _a1 online resource (319 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aConsciousness, literature & the arts, _x1573-2193 ; _v43 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aPreliminary Material -- Preface -- Acknowledgments -- Introduction -- Philosophy -- Science -- Literature -- Conclusion -- Bibliography -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aMaking Mind: Moral Sense and Consciousness in Philosophy, Science, and Literature posits the genesis of narrative as an adaptive function stemming from consciousness and moral sense. The book is unique with its idea of the individual character evolving narrative in relation to the group. Central to the argument is the claim that prehistorically, consciousness and moral sense intersected to form narrative. More than addressing the origin of story, the book examines and explains the evolution of narrative. The book is an interesting study of how our species-inherited moral sense can differ dramatically from one individual to another. While mores pertain to a group, narrative comes from and is processed by the individual and reaches its high point in the novel. We see how the moral sense works in characters as a monitor, and we feel it operating in us as readers in terms of approval, or not. | ||
| 650 | 0 |
_aLiterature and morals _xHistory and criticism. |
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| 650 | 0 |
_aConsciousness in literature _xHistory and criticism. |
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| 650 | 0 |
_aLiterature _xHistory and criticism. |
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| 650 | 0 |
_aEnglish fiction _xHistory and criticism. |
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| 650 | 7 |
_aConsciousness in literature. _2fast |
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| 650 | 7 |
_aEnglish fiction. _2fast |
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| 650 | 7 |
_aLiterature. _2fast |
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| 650 | 7 |
_aLiterature and morals. _2fast |
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| 655 | 7 |
_aCriticism, interpretation, etc. _2fast |
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| 776 | 0 | 8 |
_iPrint version: _tMaking Mind: Moral Sense and Consciousness in Philosophy, Science, and Literature _dLeiden, Boston : Brill | Rodopi, 2014, _z9789042038950 |
| 830 | 0 |
_aConsciousness, Literature and the Arts _v43. |
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| 830 | 0 | _aLiterature and Cultural Studies E-Books Online, Collection 2014, ISBN: 9789004357884. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789401211772 |
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| 999 |
_c14903 _d14903 |
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