000			03240nam a22004335i 4500
001			BRILL9789004385580
003			nllekb
005			20260610104829.0
007			cr un uuuua
008			180811s2018 mau 000 0 eng
010			_a 2018954776
020			_a9789004385580 _q(electronic book)
020			_z9789004385542 _q(print)
024	7		_a10.1163/9789004385580 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN1993.5.C6 _bW364 2018
072		7	_aJFC _2bicssc
072		7	_aSOC _x022000 _2bisacsh
082	0	4	_a950 _223
100	1		_aWang, Xiaoping.
245	1	0	_aPostsocialist conditions : _bideas and history in China's independent cinema, 1988-2008 / _cXiaoping Wang.
264		1	_aLeiden ; Boston, MA : _bBrill, _c2018.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_aonline resource _2rdacarrier
490	0		_aIdeas, history, and modern china ; _v19
490	0		_aAsian Studies E-Books Online, Collection 2018, ISBN: 9789004353268
505	0	0	_aFront Matter -- Copyright page -- Acknowledgments -- Illustrations -- Articulating the Logic of China’s Postsocialist Society in the Era of Neo-Liberal Transformation -- Part 1 -- China in Transition: Jia Zhangke’s “Hometown Trilogy” -- Postmodern Anomie or Postsocialist Alienation? -- Part 2 -- Problematic Narration of the Historical Experience of the Working Class -- Portraying the Abject and the Sublime of the Subaltern -- Exhibiting the Confusion and Melancholy of Artists -- Women’s Changing Destiny in the Post-Revolutionary Fantasyland -- Part 3 -- In the Name of Love: Ideology of the Elite Class -- Whither China? Wang Chao’s “China Trilogy” -- On the Historicity of the Sixth-Generation Auteurs and China’s “Independent Cinema” -- Back Matter -- Filmography -- Selected Bibliography -- Index.
520			_aIn Postsocialist Conditions: Idea and History in China’s “Independent Cinema,” 1988-2008 , WANG Xiaoping offers a comprehensive survey and trenchant critique of China’s “Independent Cinema” by the sixth-generation auteurs. By showing the multi-valence of the postsocialist conditions in contemporary Chinese society, their films articulate a new cultural-political logic in postsocialist China, which is also the logic of the market in this era of neoliberal transformation, brought about by the forces of marketization since the late 1980s. The directors laudably show the spirits of humanism and the humanitarian concerns of the underclass, yet the shortage and repudiation of class analysis prohibits the artists from exploring the social contradictions and the cause of class restructuration.
650		0	_aIndependent films _zChina _xHistory _y20th century.
650		0	_aIndependent films _zChina _xHistory _y21st century.
650		0	_aMotion pictures _xPolitical aspects _zChina.
776	0	8	_iPrint version: _tPostsocialist Conditions _dLeiden ; Boston : BRILL, [2018], _z9789004385542
830		0	_aIdeas, History, and Modern China _v19.
830		0	_aAsian Studies E-Books Online, Collection 2018, ISBN: 9789004353268.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004385580
999			_c14769 _d14769