000 04170cam a2200517Ii 4500
001 BRILL9789004329195
003 nllekb
005 20260610104824.0
007 cr un uuuua
008 930315s1993 ne a sb 001 0 fre d
010 _a 93126406
020 _a9789004329195
_q(electronic book)
020 _z9789004097247
_q(print)
024 7 _a10.1163/9789004329195
_2DOI
035 _a(OCoLC)27479791
040 _aNL-LeKB
_cNL-LeKB
_erda
043 _ae-gr---
050 4 _aPA3267
_b.L48 1993
072 7 _aDSBB
_2bicssc
072 7 _aLIT011000
_2bisacsh
082 0 4 _a883/.009/354
_220
100 1 _aLétoublon, Françoise,
_d1946-
245 1 4 _aLes lieux communs du roman :
_bstéréotypes grecs d'aventure et d'amour /
_cpar Françoise Létoublon.
264 1 _aLeiden ;
_aNew York :
_bE.J. Brill,
_c1993.
300 _a1 online resource (vii, 248 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aMnemosyne, bibliotheca classica Batava. Supplementum,
_x0169-8958 ;
_v123
504 _aIncludes bibliographical references (p. 240-248) and indexes.
505 0 0 _tPreliminary Material /
_rFrançoise Létoublon --
_tLe roman grec et les lieux communs /
_rFrançoise Létoublon --
_tRomanesque, réalité et fiction /
_rFrançoise Létoublon --
_tLe roman grec et son influence /
_rFrançoise Létoublon --
_tLʼespace et la population du roman: lieux et lieux communs /
_rFrançoise Létoublon --
_tLe “roman dʼamour” /
_rFrançoise Létoublon --
_tAvant la rencontre amoureuse: les topoi de présentation et dʼidentité des héros /
_rFrançoise Létoublon --
_tLes Topoi de lʼamour /
_rFrançoise Létoublon --
_tLʼamour vient du texte ou la littérature en miroir dans le roman /
_rFrançoise Létoublon --
_tLes obstacles de lʼamour /
_rFrançoise Létoublon --
_tComment communiquer? /
_rFrançoise Létoublon --
_tLes bijoux du style /
_rFrançoise Létoublon --
_tIndex des passages cités /
_rFrançoise Létoublon --
_tIndex des personnages des romans grecs /
_rFrançoise Létoublon --
_tIndex des œuvres et auteurs cités /
_rFrançoise Létoublon --
_tIndex des auteurs critiques cités /
_rFrançoise Létoublon --
_tBibliographie /
_rFrançoise Létoublon --
_tSupplements to Mnemosyne.
506 _aAvailable to subscribing member institutions only.
520 _aThe author uses an extensive study of the five Greek novels preserved by tradition since Roman times (Chariton, Chaireas and Callirhoe , Longus, Daphnis and Chloe , Xenophon of Ephesus, Ephesiaca , Achilles Tatius, Leucippe and Clitophon , Heliodorus, Ethiopica ) to show how the novel form, from its origins, has been based upon the repetition of commonplaces, τόποι, which allows an interplay with the reader. The commonest of these commonplaces, love-Eros, provides the plot of the five novels, in an order which is itself topical: meeting and love at first sight, wounds of love and lovesickness, lovers separated, lovers put to the test by the sea and by pirates, lovers reunited. The heroes of Greek novels, always young, good-looking and well-born (even if their identities are left unclear), allow for easy reader identification. From Xenophon of Ephesus (the most primitive form of the novel) to the Ethiopica (a true work of art), the Greek novel had already explored all the main narrative possibilities of the genre.
650 0 _aGreek fiction
_xHistory and criticism.
650 0 _aAdventure stories, Greek
_xHistory and criticism.
650 0 _aRomance fiction, Greek
_xHistory and criticism.
650 7 _aAdventure stories, Greek.
_2fast
650 7 _aGreek fiction.
_2fast
650 7 _aRomance fiction, Greek.
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
776 0 8 _iOnline version:
_aLétoublon, Françoise, 1946-
_tLieux communs du roman.
_dLeiden ; New York : E.J. Brill, 1993
_w(OCoLC)645827097
830 0 _aMnemosyne, Supplements
_v123.
830 0 _aMnemosyne Supplements Online, Volumes 1-203, ISBN: 9789004381049.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004329195
999 _c14463
_d14463