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| 001 | BRILL9789004222427 | ||
| 003 | nllekb | ||
| 005 | 20260610104824.0 | ||
| 007 | cr un uuuua | ||
| 008 | 120210s2012 ne a sb 001 0 eng d | ||
| 020 |
_a9789004222427 _q(electronic book) |
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| 020 |
_z9789004212060 _q(print) |
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| 024 | 7 |
_a10.1163/9789004222427 _2DOI |
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| 035 | _a(OCoLC)775781586 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 050 | 4 |
_aSF283 _b.H76 2012 |
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| 072 | 7 |
_aNAT _x016000 _2bisacsh |
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| 072 | 7 |
_aPET _x006000 _2bisacsh |
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_aHBLH _2bicssc |
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| 072 | 7 |
_aHIS _x010000 _2bisacsh |
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| 082 | 0 | 4 |
_a636.1009 _223 |
| 245 | 0 | 4 |
_aThe horse as cultural icon : _bthe real and symbolic horse in the early modern world / _cedited by Peter Edwards, Karl A.E. Enenkel and Elspeth Graham. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2012. |
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| 300 |
_a1 online resource (xviii, 407 pages) : _billustrations. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 1 |
_aIntersections, _x1568-1811 ; _vv. 18, 2011 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _tIntroduction: The Horse as Cultural Icon: The Real and the Symbolic Horse in the Early Modern World / _rPeter Edwards and Elspeth Graham -- _tThe Duke of Newcastle’s ‘Love [. . .] For Good Horses’: An Exploration of Meanings / _rElspeth Graham -- _tVisual Aids: Equestrian Iconography and the Training of Horse, Rider and Reader / _rPia F. Cuneo -- _tBig Men, Small Horses: Ridership, Social Standing and Environmental Adaptation in the Early Modern Philippines / _rGreg Bankoff -- _tLetting Loose the Horses: Sir Philip Sidney’s Exordium to The Defence of Poesie / _rElizabeth Anne Socolow -- _tThe Legacy of Federico Grisone / _rElizabeth M. Tobey -- _tAltering a Race of Jades: Horse Breeding and Geohumoralism in Shakespeare / _rIan F. MacInnes -- _t“Beware a Bastard Breed”: Notes Towards a Revisionist History of the Thoroughbred Racehorse / _rRichard Nash -- _t‘The Most Excellent of Animal Creatures’: Health Care for Horses in Early Modern England / _rLouise Hill Curth -- _t“Dark Horses”: The Horse in Africa in the Sixteenth and Seventeenth Centuries / _rSandra Swart -- _tThe Renaissance Studs of the Gonzagas of Mantua / _rAndrea Tonni -- _tImage and Reality: Upper Class Perceptions of the Horse in Early Modern England / _rPeter Edwards -- _t‘Know Us by Our Horses’: Equine Imagery in Shakespeare’s Henriad / _rJennifer Flaherty -- _t‘The Author of their Skill’: Human and Equine Understanding in the Duke of Newcastle’s ‘New Method’ / _rElaine Walker -- _tThe Military Value of Horses and the Social Value of the Horse in Early Modern England / _rGavin Robinson -- _tForging Iron and Masculinity: Farrier Trade Identities in Early Modern Germany / _rAmanda Eisemann -- _tIndex Nominum. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aIn modern Western society horses appear as unexpected visitors: not quite exotic, but not familiar either. This estrangement between humans and horses is a recent one since, until the 1930s, horses were fully present in the everyday world. Indeed, as well as performing utilitarian functions, horses possessed iconic appeal. But, despite the importance of horses, scholars have paid little attention to their lives, roles and meanings. This volume helps to redress the balance. It considers the value that the influential elite placed on horses as essential accompaniments to their way of life and as status symbols, as well as the role that horses played in society as a whole and the people who used and cared for them. Contributors include Greg Bankoff, Pia F. Cuneo, Louise Hill Curth, Amanda Eisemann, Jennifer Flaherty, Ian F. MacInnes, Richard Nash, Gavin Robinson, Elizabeth Anne Socolow, Sandra Swart, Elizabeth M. Tobey, Andrea Tonni, and Elaine Walker. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aHorses _xHistory. |
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| 650 | 0 |
_aHorses _xSocial aspects _xHistory. |
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| 650 | 0 | _aHorses in literature. | |
| 650 | 7 |
_aNATURE / Animals / Horses. _2bisacsh |
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| 650 | 7 |
_aPETS / Horses / General. _2bisacsh |
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| 700 | 1 |
_aEdwards, Peter _q(Peter Roger) |
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| 700 | 1 | _aEnenkel, K. A. E. | |
| 700 | 1 |
_aGraham, Elspeth, _d1953- |
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| 776 | 0 | 8 |
_iPrint version: _tHorse as cultural icon. _dLeiden ; Boston : Brill, 2012 _z9789004212060 _w(DLC) 2011025630 _w(OCoLC)742234180 |
| 830 | 0 |
_aIntersections _v18. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004222427 |
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| 999 |
_c14439 _d14439 |
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