| 000 | 07313nam a2200565 i 4500 | ||
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| 001 | BRILL9789004215139 | ||
| 003 | nllekb | ||
| 005 | 20260610104821.0 | ||
| 007 | cr un uuuua | ||
| 008 | 110630s2011 ne aeh sb 001 0 eng | ||
| 010 | _a 2011009018 | ||
| 020 |
_a9789004215139 _q(electronic book) |
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| 020 |
_z9789004205734 _q(print) |
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| 024 | 7 |
_a10.1163/9789004215139 _2DOI |
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| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _ae------ | ||
| 050 | 4 |
_aN7850 _b.P87 2011 |
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| 082 | 0 | 4 |
_a704.9/48209024 _222 |
| 099 | _a311.3 B648 P98 | ||
| 245 | 0 | 0 |
_aPush me, pull you / _cedited by Sarah Blick and Laura D. Gelfand. |
| 246 | 3 | _aImaginative and emotional interaction in late medieval and Renaissance art | |
| 246 | 3 | _aPhysical and spatial interaction in late medieval and Renaissance art | |
| 246 | 3 |
_aPush me, pull you : _bimaginative and emotional interaction in late medieval and Renaissance art |
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| 246 | 3 |
_aPush me, pull you : _bphysical and spatial interaction in late medieval and Renaissance art |
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| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2011. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 | _aBrill eBook titles | |
| 490 | 1 |
_aStudies in medieval and Reformation traditions, _x1573-4188 ; _vv. 156/1-2 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tPreliminary Material -- _t1. Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume de Digulleville’s Pelerinage Jhesucrist / _rRobert L.A. Clark and Pamela Sheingorn -- _t2. Dangerous Passages and Spiritual Redemption in the Hortus Deliciarum / _rElizabeth Monroe -- _t3. Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks / _rAnne Rudloff Stanton -- _t4. Exploring the Border: The Breviary of Eleanor of Portugal / _rMargaret Goehring -- _t5. Building Meaning: The First Architectural Alphabet / _rErika Boeckeler -- _t6. Still Walking: Spiritual Pilgrimage, Early Dutch Painting and the Dynamics of Faith / _rHenry Luttikhuizen -- _t7. Pilgrimage through the Pages: Pilgrims’ Badges in Late Medieval Devotional Manuscripts / _rMegan H. Foster-Campbell -- _t8. Prayers and Promises: The Interactive Indulgence Print in the Later Middle Ages / _rWalter S. Gibson -- _t9. Art and Advertising: Late Medieval Altarpieces in Germany / _rAmy M. Morris -- _t10. Who Sees Christ? An Alabaster Panel of the Mass of St. Gregory / _rSusan Leibacher Ward -- _t11. The Well of Moses and Roland Barthes’ ‘Punctum’ of Piety / _rDonna L. Sadler -- _t12. Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes’s Vienna Diptych / _rMark Trowbridge -- _t13. Communicating with the Host: Imagery and Eucharistic Contact in Late Medieval and Early Renaissance Italy / _rKristen Van Ausdall -- _t14. Empathetic Images and Painted Dialogues: The Visual and Verbal Rhetoric of Royal Private Piety in Renaissance Spain / _rJuan Luis González García -- _t15. The fairest of them all: Reflections on Some Fourteenth-Century Mirrors / _rAlexa Sand -- _t16. Bones and Stones: Imaging Sacred Defense in Medieval Cologne / _rScott B. Montgomery -- _t17. The Middle of Diptychs / _rAlfred Acres -- _tBibliography to Volume 1 -- _tIndex to Volume 1 -- _tPreliminary Material -- _t1. Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela / _rKathleen Ashley -- _t2. Votives, Images, Interaction and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral / _rSarah Blick -- _t3. Cradling Power: Female Devotions and Early Netherlandish Jésueaux / _rAnnette LeZotte -- _t4. Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response / _rLaura D. Gelfand -- _t5. Consorting with Stone: The Figure of the Speaking and Moving Statue in Early Modern Italian Writing / _rLex Hermans -- _t6. Images, Efficacy and Ritual in the Renaissance: Burning the Devil and Dusting the Madonna / _rFredrika H. Jacobs -- _t7. Everybody’s Darling. Transformation of Value and Transformation of Meaning in the Veneration of St. Elizabeth of Thuringia / _rViola Belghaus -- _t8. The Pilgrim’s Progress: Devotional Journey through the Holy Womb / _rElina Gertsman -- _t9. Memento Mori: The Deadly Art of Interaction / _rSuzanne Karr Schmidt -- _t10. Preparing the Mind. Preparing the Soul. The Fusion of Franciscan Thought into the Daily Lives of Friars in the Sacristy Decoration of Santa Croce, Florence / _rMichelle A. Erhardt -- _t11. Parallelism in Giotto’s Santa Croce Frescoes / _rJane C. Long -- _t12. The Guiding Illusions of the Morrison Triptych / _rMark Tucker and Lloyd DeWitt. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aLate Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church’s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them. Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward. | ||
| 610 | 2 | 0 |
_aPierpont Morgan Library. _kManuscript. _nM.52. |
| 650 | 0 |
_aChristian art and symbolism _yMedieval, 500-1500. |
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| 650 | 0 |
_aChristian art and symbolism _yRenaissance, 1450-1600. |
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| 650 | 0 |
_aSpirituality in architecture _zEurope. |
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| 650 | 0 |
_aSpirituality in art _zEurope. |
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| 651 | 0 |
_aEurope _xReligious life and customs. |
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| 700 | 1 | _aBlick, Sarah. | |
| 700 | 1 | _aGelfand, Laura Deborah. | |
| 700 | 1 | 2 | _aGoehring, Margaret L. |
| 776 | 0 | 8 |
_iPrint version: _tPush Me, Pull You: Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art _dLeiden, Boston : BRILL, 2011, _z9789004205734 |
| 830 | 0 |
_aStudies in Medieval and Reformation Traditions _v156. |
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| 830 | 0 | _aEuropean History and Culture E-Books Online, Collection 2011, ISBN: 9789004222878. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004215139 |
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| 999 |
_c14257 _d14257 |
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