000			03872nam a22004818i 4500
001			BRILL9789004484320
003			nllekb
005			20260610104807.0
007			cr un uuuua
008			200716s2004 ne sb 001 0 eng d
020			_a9789004484320 _q(electronic book)
020			_a9789042010383 _q(print)
024	7		_a10.1163/9789004484320 _2DOI
035			_a(OCoLC)607074389
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aPN1993.5
072		7	_aDSB _2bicssc
072		7	_aLIT _x000000 _2bisacsh
082	0	4	_a791.430941 _223
100	1		_aKorte, Barbara _eauthor.
245	1	0	_aBidding for the Mainstream? : _bBlack and Asian British Film since the 1990s / _cBarbara Korte, Claudia Sternberg.
246	3		_aBlack and Asian British Film since the 1990s
264		1	_aLeiden; _aBoston : _bBRILL, _c2004.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aBrill Book Archive Part 1, ISBN: 9789004472495
490	1		_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; _v73
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- CLAIMING STRUCTURES, BIDDING FOR THE MAINSTREAM -- Chapter 1 -- Black and Asian Britain and the Cultural Mainstream -- Chapter 2 -- Be Ourselves and Be Mainstream? 'Black' British Film Revisited -- Chapter 3 -- 'Landmarks': The Evolution of Black and Asian Narrative Film in Britain from the 1960s to the 1980s -- CASE STUDIES -- Chapter 4 -- Black Youth Films in the 1990s -- Chapter 5 -- Asian British Film since the 1990s -- Chapter 6 -- 1990s Television Drama: Mainscreening Black and Asian British History -- Conclusion -- VOICES -- Mike PHILLIPS: Art, the Myth of Black Culture and the Struggle for British Identity -- Horace OVÉ: Belmont Olympic -- Julian HENRIQUES: Reggae Sound Systems, the Body and Film-Making Practices -- Parminder Vir in Interview -- Gurinder Chadha in Interview -- Bibliography -- Index.
520			_aThis book looks at a sector of black and Asian British film and television as it presented itself in the 1990s and early 2000s. For this period, a 'mainstreaming' of black and Asian British film has been observed in criticism and theory and articulated by an increasing number of practitioners themselves, referring to changing modes of production, distribution and reception and implying a more popular and commercial orientation of certain media products. This idea is a leitmotif for the authors' readings of recent films and examples of television drama, including such diverse products as Young Soul Rebels and Babymother, East Is East and Bend It Like Beckham, The Buddha of Suburbia and White Teeth . These analyses are supplemented with a look at earlier landmark productions (like Pressure ) as well as relevant social, institutional and aesthetic frameworks. The book closes with a selection of statements by black and Asian media practitioners who operate from within Britain's cultural industries: Mike Phillips, Horace Ové, Julian Henriques, Parminder Vir and Gurinder Chadha.
588			_aDescription based on print version record.
650		0	_aBlacks in motion pictures.
650		0	_aBlacks in the motion picture industry _zGreat Britain.
650		0	_aMotion picture industry _zGreat Britain.
700	1		_aSternberg, Claudia, _eauthor.
776	0	8	_iPrint version: _tBidding for the Mainstream? : Black and Asian British Film since the 1990s. _dLeiden ; Boston : BRILL, 2004 _z9789042010383 _w(OCoLC)54376014
830		0	_aBrill Book Archive Part 1, ISBN: 9789004472495.
830		0	_aInternationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; _v73.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004484320
999			_c13438 _d13438