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020 _a9789401201315
_q(electronic book)
020 _z9789042016439
_q(print)
024 7 _a10.1163/9789401201315
_2DOI
035 _a(OCoLC)60157505
_z(OCoLC)607589789
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aPN56.L33
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072 7 _aSOC022000
_2bisacsh
082 0 4 _a809.933554
_222
245 0 0 _aLiterature and law /
_cedited by Michael J. Meyer.
264 1 _aAmsterdam :
_bRodopi,
_c2004.
300 _a1 online resource (viii, 244 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aRodopi perspectives on modern literature ;
_v30
500 _aIncludes: Representing lawyers: Edith Wharton's portrayal of lawyers and lawyering in The Touchstone and Summner / Deborah Hecht.
504 _aIncludes bibliographical references.
505 0 0 _tPreliminary Material /
_rMichael J. Meyer --
_tRETRYING THE STRANGER AGAIN /
_rMary Ann Frese Witt and Eric Witt --
_tTHE SILENT VOICES OF THE LAW /
_rSusan Ayres --
_tLAW AND ORDER: EXPLORING THE BRITISH LEGAL SYSTEM IN DAVID HARE’S MURMURING JUDGES /
_rKaren C. Blansfield --
_tCRIMINAL APPREHENSIONS: PRAGUE MINORITIES AND THE HABSBURG LEGAL SYSTEM IN JAROSLAV HAŠEK’S THE GOOD SOLDIER ŠVEJK AND FRANZ KAFKA’S THE TRIAL /
_rJenifer Cushman --
_tSILENCE IN THE COURTROOM: LANGUAGE, LITERATURE,AND LAW IN THE BALLAD OF FRANKIE SILVER /
_rGwen Mcneill Ashburn --
_tREPRESENTING LAWYERS: EDITH WHARTON’S PORTRAYAL OF LAWYERS AND LAWYERING IN THE TOUCHSTONE AND SUMMER /
_rDeborah Hecht --
_tRITUAL MURDER AND THE CORRUPTION OF LAW IN BERNARD MALAMUD’S THE FIXER /
_rEric Sterling --
_t“HOW SHALL WE CHANGE THE LAW?”: BIRTH CONTROL RHETORIC AND THE MODERN AMERICAN NARRATIVE /
_rBeth Widmaier Capo --
_tPUTTING GOD ON TRIAL:THE RELATIONSHIP OF KAFKA TO LEIBNIZ /
_rJoseph Suglia --
_tMUMIA ABU-JAMAL’S LIVE FROM DEATH ROW AS POST-LEGAL PRISON WRITING /
_rBrian Conniff --
_tTHE LETTER OF THE LAW AND CANADIAN LETTERS: JOY KOGAWA’S OBASAN /
_rAna María Frailé-Marcos --
_tPRIOR CLAIMS AND SOVEREIGN RIGHTS:THE SEXUAL CONTRACT IN EDITH WHARTON’S SUMMER /
_rAlicia Renfroe --
_tSITUATING ATTICUS IN THE ZONE:A LAWYER AND HIS DAUGHTER READ HARPER LEE’S TO KILL A MOCKINGBIRD /
_rNancy Lawson Remler and Hugh Lawson --
_tCHALLENGING THE COURT: CHARLES CHESNUTT’S MARROW OF TRADITION /
_rGwen Mathewson --
_tABOUT THE AUTHORS /
_rMichael J. Meyer.
506 _aAvailable to subscribing member institutions only.
520 _aIn recent years, there has been a continuing and persistent world-wide interest in the interaction between the two disciplines of law and literature. Although there have been many collections of primary texts that combined these two areas, this volume presents literary analyses and criticism in an attempt to assess the varied relationships between law and justice, between lawyers and clients, and between readers’ perceptions and authors’ intent, hopefully suggesting why they have continually been yoked together. One similarity between the two is that lawyers, like writers, must catch their audience’s attention by novelty of scene, distinctiveness of voice, and ingenuity of design. Furthermore, legal advocates must recreate a concrete sense of reality, developing vivid and valid pictures of a specific time and place. In short, both lawyers and writers attempt to provide a basis for juries / readers to judge defendants / characters by their motivations and their actions and to decide whether a favorable ruling / assessment is justified. Collectively, the essays in this book are designed to deal with themes of guilt and innocence, right and wrong, morality and legality. The essays also suggest that the world as it is delineated by lawyers is indeed a text that like its literary counterparts sometimes blurs the distinction between fact and fiction as it attempts to define “truth” and to establish criteria for “impartial” justice. By exploring interdisciplinary contexts, readers will surely be made more aware, more sensitive to the roles that stories play in the legal profession and to the dilemmas faced by legal systems that often succeed in maintaining the rights and privileges of a dominant societal group at the expense of a less powerful one.
650 0 _aLaw in literature.
650 0 _aLaw and literature.
650 7 _aLaw and literature.
_2fast
650 7 _aLaw in literature.
_2fast
700 1 _aMeyer, Michael J.,
_d1943-
776 0 8 _iPrint version:
_tLiterature and law.
_dAmsterdam : Rodopi, 2004
_z9042016434
_w(OCoLC)58422134
830 0 _aRodopi Perspectives on Modern Literature
_v30.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401201315
999 _c13382
_d13382