000 03593nam a2200517 i 4500
001 BRILL9789004232440
003 nllekb
005 20260610104806.0
007 cr un uuuua
008 120716s2012 ne sb 001 0 eng d
020 _a9789004232440
_q(electronic book)
020 _z9789004232433
_q(print)
024 7 _a10.1163/9789004232440
_2DOI
035 _a(OCoLC)799765660
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aGR336.Y36
_bH42 2012eb
072 7 _aSOC
_x011000
_2bisacsh
072 7 _aHBJF
_2bicssc
072 7 _aHIS
_x003000
_2bisacsh
082 0 4 _a398.209512
_223
100 1 _aHe, Qiliang,
_d1974-
245 1 0 _aGilded voices :
_beconomics, politics, and storytelling in the Yangzi delta since 1949 /
_cby Qiliang He.
264 1 _aLeiden :
_bBrill,
_c2012.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aIdeas, history, and modern China,
_x1875-9394 ;
_vv. 5
500 _aDescription based upon print version of record.
504 _aIncludes bibliographical references and index.
505 0 0 _aPreliminary Material -- Introduction -- Chapter One The Pingtan System -- Chapter Two Cutting the Tail: The Founding of the Shanghai Troupe in the Early 1950s -- Chapter Three Politics as Entertainment: Middle-Length Pingtan Stories in the 1950s and 1960s -- Chapter Four Between the Association and the State: The Guangyu Incident in 1957 -- Chapter Five Between Accommodation and Resistance: Pingtan Storytelling on the Eve of the Cultural Revolution -- Chapter Six Beyond Spiritual Pollution: The Odysseys of Su Yuyin and Yang Zijiang -- Chapter Seven Between Nostalgic and Critical: Political Pingtan Stories at the Turn of the New Millennium -- Epilogue Re-Patronizing Pingtan Storytelling -- List of Interviewees -- Bibliography -- Index.
506 _aAvailable to subscribing member institutions only.
520 _aIn Gilded Voices: Economics, Politics, and Storytelling in the Yangzi Delta since 1949 , Qiliang He pieces together published, archival, and oral history sources to explore the role of the cultural market in mediating between the state and artists in the PRC era. By focusing on pingtan , a storytelling art using the Suzhou dialect, the book documents both the state’s efforts to police artists and their repertoire and storytellers’ collaboration with, as well as resistance to, state supervision and intervention. The book thereby challenges long-held scholarly assumptions about the Chinese Communist Party’s success in politicizing popular culture, patronizing artists, abolishing the cultural market, and enforcing rigid censorship in Mao’s times.
650 0 _aStorytelling
_zChina
_zYangtze River Delta
_xHistory
_y20th century.
650 0 _aOral tradition
_zChina
_zYangtze River Delta
_xHistory
_y20th century.
650 0 _aPolitics and culture
_zChina
_zYangtze River Delta
_xHistory
_y20th century.
650 7 _aSOCIAL SCIENCE / Folklore & Mythology
_2bisacsh
651 0 _aYangzte River Delta (China)
_xEconomic conditions.
651 0 _aYangzte River Delta (China)
_xSocial conditions.
651 0 _aYangzte River Delta (China)
_xPolitics and government.
776 0 8 _iPrint version:
_aHe, Qiliang, 1948-
_tGilded voices.
_dLeiden : Brill, c2012
_z9789004232433
830 0 _aIdeas, History, and Modern China
_v5.
830 0 _aAsian Studies E-Books Online, Collection 2012, ISBN: 9789004223219.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789004232440
999 _c13367
_d13367