000 03454cam a2200493Ii 4500
001 BRILL9789401209427
003 nllekb
005 20260610104758.0
007 cr un uuuua
008 130921s2013 ne sb 001 0 eng d
020 _a9789401209427
_q(electronic book)
020 _z9789042036819
_q(print)
024 7 _a10.1163/9789401209427
_2DOI
035 _a(OCoLC)858764910
_z(OCoLC)891466473
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aN7433.8
_b.B384 2013
072 7 _aART
_x000000
_2bisacsh
072 7 _aACX
_2bicssc
072 7 _aDES008000
_2bisacsh
082 0 4 _a702.81/20973
_222
100 1 _aBanash, David.
245 1 0 _aCollage culture :
_breadymades, meaning, and the age of consumption /
_cDavid Banash.
264 1 _aAmsterdam :
_bEditions Rodopi,
_c2013.
300 _a1 online resource (312 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aPostmodern studies ;
_vv. 49
504 _aIncludes bibliographical references and index.
505 0 0 _aPreliminary Material -- Acknowledgments -- INTRODUCTION -- FRAGMENTS: PRODUCTION, CONSUMPTION, AND THE READYMADE -- INVENTION: NEWSPAPERS, ADVERTISING, AND THE ORIGINS OF COLLAGE -- CRITIQUE: COLLAGE AND THE POLITICS OF THE CUT -- NOSTALGIA: COLLAGE, COLLECTING AND THE PASTE -- GLEANING: EVERYDAY LIFE IN COLLAGE CULTURE -- FROM THE TWENTIETH CENTURY’S CUTTING EDGE TO THE TWENTY-FIRST-CENTURY COPY -- NOTES -- BIBLIOGRAPHY -- INDEX.
506 _aAvailable to subscribing member institutions only.
520 _aCollage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
650 0 _aCollage.
650 0 _aPostmodernism.
650 0 _aArts
_xPhilosophy.
650 7 _aArts
_xPhilosophy.
_2fast
650 7 _aCollage.
_2fast
650 7 _aPostmodernism.
_2fast
776 0 8 _iPrint version:
_aBanash, David.
_tCollage culture.
_dAmsterdam : Editions Rodopi, 2013
_z9789401209427
830 0 _aPostmodern Studies
_v49.
830 0 _aLiterature and Cultural Studies E-Books Online, Collection 2013, ISBN: 9789004357891.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401209427
999 _c12915
_d12915