| 000 | 03067nam a2200517 i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004363304 | ||
| 003 | nllekb | ||
| 005 | 20260610104757.0 | ||
| 007 | cr un uuuua | ||
| 008 | 180627s2018 ne sb 001 0 eng d | ||
| 010 | _a 2018031164 | ||
| 020 |
_a9789004363304 _q(electronic book) |
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| 020 |
_z9789004363298 _q(print) |
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| 024 | 7 |
_a10.1163/9789004363304 _2DOI |
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| 035 | _a(OCoLC)1043051555 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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| 043 | _aa-cc--- | ||
| 050 | 4 |
_aPN1995.9.S47 _b.W66 2018 |
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| 072 | 7 |
_aPER _x009000 _2bisacsh |
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| 072 | 7 |
_aAPF _2bicssc |
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| 072 | 7 |
_aPER004000 _2bisacsh |
|
| 082 | 0 | 4 |
_a791.436/53 _223 |
| 100 | 1 | _aWoodland, Sarah. | |
| 245 | 1 | 0 |
_aRemaking gender and the family : _bperspectives on contemporary Chinese-language film remakes / _cby Sarah Woodland. |
| 264 | 1 |
_aLeiden ; _aBoston : _bBrill, _c2018. |
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| 300 | _a1 online resource (x, 157 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aWomen and gender in China studies ; _vv. 9 |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 | _aFront Matter -- Copyright page -- Acknowledgements -- Introduction -- Remaking the Modern Family -- Gender, Genre and the Auteur -- Ghosts of Chinas Past and Present -- History Repeating in Spring in a Small Town -- Remaking “China” -- Back Matter -- Glossary -- References -- Index. |
| 506 | _aAvailable to subscribing member institutions only. | ||
| 520 | _aIn Remaking Gender and the Family , Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality. | ||
| 588 | _aDescription based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 650 | 0 | _aSex role in motion pictures. | |
| 650 | 0 | _aWomen in motion pictures. | |
| 650 | 0 | _aFamilies in motion pictures. | |
| 650 | 0 |
_aFilm remakes _zChina _xHistory. |
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| 650 | 0 |
_aMotion pictures _zChina _xHistory. |
|
| 776 | 0 | 8 |
_iPrint version: _aWoodland, Sarah, author. _tRemaking gender and the family _dLeiden; Boston : Brill, 2018 _z9789004363298 _w(DLC) 2018012372 |
| 830 | 0 |
_aWomen and Gender in China Studies _v9. |
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| 830 | 0 | _aAsian Studies E-Books Online, Collection 2018, ISBN: 9789004353268. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004363304 |
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| 999 |
_c12880 _d12880 |
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