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| 001 | BRILL9789004397996 | ||
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| 008 | 190426s2019 gw sb 001 0 eng d | ||
| 020 |
_a9789004397996 _q(electronic book) |
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| 020 |
_z9789004397989 _q(print) |
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_a10.1163/9789004397996 _2DOI |
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| 035 | _a(OCoLC)1096239641 | ||
| 040 |
_aNL-LeKB _cNL-LeKB _erda |
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_aJF _2bicssc |
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_aSOC _x026000 _2bisacsh |
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_a300.3 _223 |
| 100 | 1 |
_aQuerido, Pedro, _eauthor. |
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| 245 | 1 | 0 |
_aOn Fear, Horror, and Terror: Giving Utterance to the Unutterable / _cPedro Querido, María Ibáñez-Rodríguez. |
| 264 | 1 |
_aLeiden, _aBoston : _bBrill | Rodopi, _c2019. |
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| 300 | _a1 online resource. | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 490 | 0 |
_aAt the Interface / Probing the Boundaries; _vv.125 |
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| 490 | 0 | _aSocial Sciences E-Books Online, Collection 2019, ISBN: 9789004390904 | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tFront Matter -- _tCopyright -- _tNotes on Contributors -- _tIntroduction / _rMaría Ibáñez-Rodríguez and Pedro Querido -- _tBoth Victimizer and Victim: Terror and the Feminine Sublime in American Psycho and Fight Club / _rEmily-Rose Carr -- _tFearful Manifestations: a Comparative Study of the Monstrous Double in Ahmed Khaled Towfik’s Utopia / _rGhada Saad Hassan -- _tMusic Festival (in)Security: Transgression, Transhumanism, and Immorality / _rWoodrow Hood -- _tMyths of the Uncanny in the Contemporary Graphic Novel / _rMaría Ibáñez-Rodríguez -- _tFear, Death, and Authenticity in the Hero: a Look at Heidegger, Achilleus, and Harry Potter / _rNicole M. Jowsey -- _tOrnaments of Pain and Survival: Central European History, Literature, and Film / _rMarta Moore -- _tA Horror of the Vacuum: an Overview of Old Age in Absurdist Literature / _rPedro Querido -- _tHospitality in Post-9/11 Representations of “Home Invasion”: Michael Haneke’s Funny Games (1997/2007) / _rAna Romão -- _tBack Matter -- _tIndex. |
| 520 | _aThis volume brings together essays that examine a vast gamut of different contemporary cultural manifestations of fear, anxiety, horror, and terror. Topics range from the feminine sublime in American novels to the monstrous double in horror fiction, (in)security at music festivals, the uncanny in graphic novels, epic heroes' Being-towards-death and authenticity, atrocity and history in Central European art, the theme of old age in absurdist literature, and iterations of the \'home invasion\' subgenre in post-9/11 popular culture. This diversity of insights and methodologies ensures a kaleidoscopic look at a cluster of phenomena and experiences that often manage to both be immediately and universally recognizable and defy straightforward categorization or even description. Contributors are Emily-Rose Carr, Ghada Saad Hassan, Woodrow Hood, María Ibáñez-Rodríguez, Nicole M. Jowsey, Marta Moore, Pedro Querido and Ana Romão. | ||
| 650 | 0 | _aSocial sciences. | |
| 700 | 1 |
_aIbáñez-Rodríguez, María, _eeditor. |
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| 776 | 0 | 8 |
_iPrint version: _tOn Fear, Horror, and Terror: Giving Utterance to the Unutterable _dLeiden, Boston : Brill | Rodopi, 2019, _z9789004397989 |
| 830 | 0 |
_aAt the Interface / Probing the Boundaries _v125. |
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| 830 | 0 | _aSocial Sciences E-Books Online, Collection 2019, ISBN: 9789004390904. | |
| 856 | 4 |
_zDOI: _uhttp://dx.doi.org/10.1163/9789004397996 |
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| 999 |
_c12802 _d12802 |
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