000			04308cam a2200505Ii 4500
001			BRILL9789004253841
003			nllekb
005			20260610104753.0
007			cr un uuuua
008			090730s2009 ne ag sb 001 0deng d
020			_a9789004253841 _q(electronic book)
020			_z9789067182980 _q(print)
024	7		_a10.1163/9789004253841 _2DOI
040			_aNL-LeKB _cNL-LeKB _erda
041	1		_aeng _ajav _hjav
043			_aa-io---
050		4	_aPN1979.S5 _bL97 2009
072		7	_aGTB _2bicssc
072		7	_aSOC _x008000 _2bisacsh
082	0	4	_a791.5309 _223
100	1		_aLysloff, René T. A.
245	1	0	_aSrikandhi dances lènggèr : _ba performance of music and shadow theater / _cRené T.A. Lysloff.
264		1	_aLeiden : _bKITLV Press, _c2009.
300			_a1 online resource (viii, 571 pages) : _billustrations, music.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, _x1572-1892 ; _v248
504			_aIncludes bibliographical references (p. 549-558) and index.
505	0	0	_tPreliminary Material / _rRené T.A. Lysloff -- _tCultural universals and local traditions / _rRené T.A. Lysloff -- _tShadow theater as a cultural institution / _rRené T.A. Lysloff -- _tThe temporal organization of wayang kulit / _rRené T.A. Lysloff -- _tWayang temporalities / _rRené T.A. Lysloff -- _tSugino and his audience / _rRené T.A. Lysloff -- _tMusic and intra-cultural difference / _rRené T.A. Lysloff -- _tSynopsis / _rRené T.A. Lysloff -- _tAct 1: Pathet nem / _rRené T.A. Lysloff -- _tInterlude: Gara-gara / _rRené T.A. Lysloff -- _tAct 2: Pathet sanga / _rRené T.A. Lysloff -- _tAct 3: Pathet manyura / _rRené T.A. Lysloff -- _tAppendices / _rRené T.A. Lysloff -- _tBibliography / _rRené T.A. Lysloff -- _tIndex / _rRené T.A. Lysloff.
506			_aAvailable to subscribing member institutions only.
520			_aThe book is structured around the translation of a Javanese shadow theater performance entitled Srikandhi Mbarang Lènggèr (“Srikandhi Becomes an Itinerant Dancer” or “Srikandhi Dances Lènggèr”), performed only in the Banyumas region (in west Central Java) by the locally renowned puppeteer, Ki Sugino Siswocarito. This study is a translation of the story both in a strict textual-linguistic sense and in a more general interpretive sense, providing an understanding of what the performance means to its Banyumas audience. More important, it shows how the puppeteer transforms the culturally universal traditions of Javanese ritual, shadow-puppet theater, and music to particularize the entire performance event for a local audience. The book is three things: a major conceptual study that develops, advocates, and applies an interdisciplinary approach to the analysis of the performance process, an important secondary source on rural Javanese culture and arts (most works on Java focus on the court centers), and a useful primary source on wayang theater—since it includes the Javanese text and English translation of a complete story with music transcriptions provided in an appendix. The Javanese texts and their English translations are laid out side by side to facilitate reading while listening to the audio recording on the enclosed dvd. The book contains twenty-five beautifully rendered illustrations of Banyumas-style wayang puppets (major characters in the story) by two Javanese artists.
546			_aIncludes Javanese text, English translation of the text of Ki Sugino's Srikandhi mbarang lènggèr.
600	0	0	_aSugino, _cKi. _tSrikandhi mbarang lengger.
650		0	_aWayang.
650		0	_aWayang plays.
650		0	_aMusic _zIndonesia _zBanyumas (Kabupaten) _xHistory and criticism.
650		0	_aGamelan music.
700	0	2	_aSugino, _cKi. _tSrikandhi mbarang lengger.
776	0	8	_iOnline version: _aLysloff, René T.A. _tSrikandhi dances lènggèr. _dLeiden : KITLV Press, 2009 _w(OCoLC)649976431
830		0	_aVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde _v248.
830		0	_aKITLV Press Special E-Book Collection, 2007-2012, ISBN: 9789004248687.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004253841
999			_c12611 _d12611