000 05300cam a2200493Ii 4500
001 BRILL9789401202589
003 nllekb
005 20260610104751.0
007 cr un uuuua
008 060801s2005 ne ac sb 001 0 eng d
020 _a9789401202589
_q(electronic book)
020 _z9789042019256
_q(print)
024 7 _a10.1163/9789401202589
_2DOI
035 _a(OCoLC)70791649
_z(OCoLC)150379728
_z(OCoLC)714567426
_z(OCoLC)744551167
_z(OCoLC)764535810
040 _aNL-LeKB
_cNL-LeKB
_erda
050 4 _aBH301.A94
_bA93 2005eb
072 7 _aPHI
_x001000
_2bisacsh
072 7 _aGT
_2bicssc
072 7 _aPOL000000
_2bisacsh
082 0 4 _a111.85
_222
245 0 0 _aAvant-garde/Neo-avant-garde /
_cedited by Dietrich Scheunemann.
264 1 _aAmsterdam :
_bRodopi,
_c2005.
300 _a1 online resource (346 pages) :
_billustrations, portrait.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_2rdacarrier
490 1 _aAvant Garde critical studies ;
_v17
500 _aContributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002.
504 _aIncludes bibliographical references and index.
505 0 0 _tPreliminary Material /
_rDietrich Scheunemann --
_tPreface /
_rDietrich Scheunemann --
_tFrom Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /
_rDIETRICH SCHEUNEMANN --
_tWilhelm Worringer and the Historical Avant-Garde /
_rRHYS W. WILLIAMS --
_tOn the Historiographic Distinction between Historical and Neo-Avant-Garde /
_rHUBERT VAN DEN BERG --
_tAbstraction, Sublation and the Avant-Garde: The Case of De Stijl /
_rMICHAEL WHITE --
_tSameness and Difference: Duchamp’s Editioned Readymades and the Neo-Avant-Garde /
_rDAVID HOPKINS --
_tPaint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism /
_rBEN HIGHMORE --
_tVerbal Chemistry and Concrete Poetry /
_rKEITH ASPLEY --
_tHow the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry /
_rANNA KATHARINA SCHAFFNER --
_tAmerican Language Poetry and the Definition of the Avant-Garde /
_rJACOB EDMOND --
_tFrom Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance /
_rGÜNTER BERGHAUS --
_tActor or Puppet: The Body in the Theatres of the Avant-Garde /
_rOLGA TAXIDOU --
_tFragmentation of the Body in Spanish Surrealism /
_rUTA FELTEN --
_tThe Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film /
_rDAVID MACRAE --
_tWhat Avant-Garde? /
_rGÉRARD LEBLANC --
_tThe Limits of “Non-Plan”: Architecture and the Avant-Garde /
_rRICHARD WILLIAMS --
_tMontage in the Arts: A Reassessment /
_rJENNIFER VALCKE --
_tMeans and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960s /
_rTANIA ØRUM --
_tLiterature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde /
_rKLAUS BEEKMAN --
_tList of Illustrations /
_rDietrich Scheunemann --
_tIndex /
_rDietrich Scheunemann.
506 _aAvailable to subscribing member institutions only.
520 _aThis collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950s and 1960s. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned readymades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.
648 7 _a1900 - 2099
_2fast
650 0 _aAvant-garde (Aesthetics)
650 0 _aArts, Modern
_y20th century.
650 0 _aArts, Modern
_y21st century.
650 7 _aArts, Modern.
_2fast
650 7 _aAvant-garde (Aesthetics)
_2fast
700 1 _aScheunemann, Dietrich.
776 0 8 _iPrint version:
_tAvant-garde/Neo-avant-garde.
_dAmsterdam : Rodopi, 2005
_z9042019255
_w(OCoLC)62273921
830 0 _aAvant-Garde Critical Studies
_v17.
856 4 _zDOI:
_uhttp://dx.doi.org/10.1163/9789401202589
999 _c12475
_d12475