000			04785nam a22004571i 4500
001			BRILL9789004449411
003			nllekb
005			20260610104749.0
007			cr un uuuua
008			201130s2000 ne sb 001 0 eng d
020			_a9789004449411 _q(electronic book)
020			_a9789042012042 _q(print)
024	7		_a10.1163/9789004449411 _2DOI
035			_z(OCoLC)47092277
040			_aNL-LeKB _cNL-LeKB _erda
050		4	_aNX542
072		7	_aAB _2bicssc
072		7	_aART _x028000 _2bisacsh
082	0	4	_a809 _223
245	0	0	_aEuropean Avant-Garde : _bNew Perspectives / _cedited by Dietrich Scheunemann.
246	3		_aNew Perspectives
264		1	_aLeiden; _aBoston : _bBrill | Rodopi, _c2000.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aAvant-Garde Critical Studies ; _v15
490	1		_aAvant-Garde Critical Studies Online, ISBN: 9789004450059
504			_aIncludes bibliographical references and index.
505	0		_aPreface -- I. Rewriting the Theory of the Avant-Garde -- Dietrich SCHEUNEMANN: On Photography and Painting. Prolegomena to a New Theory of the Avant-Garde -- Stephen C. FOSTER: Dada and the Constitution of Culture: (Re-)Conceptualising the Avant-Garde -- Bernd KIEFER: Crucial Moments, Crucial Points: Walter Benjamin and the Recognition of Modernity in the Light of the Avant-Garde -- II. Innovations and Manifestations of the Avant-Garde -- Ian REVIE: Apollinaire and Cubist Innovation: Resetting the Frontiers, Changing the Paradigm -- Dietrich SCHEUNEMANN: Cubist Painting, Automatic Writing and the Poetry of Gertrude Stein -- H. Martin PUCHNER: Screeching Voices: Avant-Garde Manifestos in the Cabaret -- David MACRAE: Painterly Concepts and Filmic Objects: The Interaction of Expression and Reproduction in Early Avant-Garde Film -- Mara de GENNARO: The World "Outside of Fiction": Georges Bataille and Surrealist Photography and Sculpture -- John E. BOWLT: Inside Out: Pavel Filonov and the Anatomy of Fantasy -- Edward LINTZ: Difficiles Nuage: Gertrude Stein, OuLiPo and the Grammar of the Avant-Garde -- III. Avant-Garde in Context -- Klaus BEEKMAN: The Selection of Avant-Garde Poetry for Anthologies -- Katherine SWARBRICK: Avant-Garde Productions and Psychoanalytic Theory. The Story of an Encounter -- Ben HIGHMORE: Awkward Moments: Avant-Gardism and the Dialectics of Everyday Life -- Table of Illustrations -- Abstracts.
520			_aThis collection of critical essays is designed to lay the foundations for a new theory of the European avant-garde. It starts from the assumption that not one all-embracing intention of all avant-garde movements - i.e. the intention of "reintegrating art into the practice of life" (Peter Bürger) - but the challenge of new cultural technologies, in particular photography and cinema, constitutes the main driving force of the formation and further development of the avant-garde. This approach permits to establish a theoretical framework that takes into account the diversity of artistic aims and directions of the various art movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Following the theoretical foundation of the new approach, individual contributions concentrate on a diverse range of avant-gardist concepts, trends and manifestations from cubist painting and the literary work of Apollinaire and Gertrude Stein to the screeching voices of futurism, dadaist photomontage and film, surrealist photographs and sculptures and neo-avant-gardist theories as developed by the French group OuLiPo. The volume closes with new insights gained from placing the avant-garde in the contexts of literary institutions and psychoanalytical and sociological concepts. The main body of the volume is based on presentations and discussions of a three-day research seminar held at Yale University, New Haven, in February 2000. The research group formed on this occasion will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.
588			_aDescription based on print version record.
650		0	_aAvant-garde (Aesthetics) _zEurope _xHistory _y20th century _vCongresses.
650		0	_aArts, European _y20th century _vCongresses.
700	1		_aScheunemann, Dietrich, _eeditor.
776	0	8	_iPrint version: _tEuropean Avant-Garde : New Perspectives, _dLeiden ; Boston : Brill | Rodopi, 2000 _z9789042012042
830		0	_aAvant-Garde Critical Studies ; _v15.
830		0	_aAvant-Garde Critical Studies Online, ISBN: 9789004450059.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004449411
999			_c12383 _d12383