000			03361cam a2200589Ii 4500
001			BRILL9789401204460
003			nllekb
005			20260610104746.0
007			cr un uuuua
008			070511s2007 ne sb 001 0 eng d
020			_a9789401204460 _q(electronic book)
020			_z9789042022102 _q(print)
024	7		_a10.1163/9789401204460 _2DOI
035			_a(OCoLC)127107609
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-fr---
050		4	_aPQ2467 _b.W45 2007
072		7	_aPQ _2lcco
072		7	_aJFC _2bicssc
072		7	_aSOC022000 _2bisacsh
082	0	4	_a841.8 _222
100	1		_aWhidden, Seth Adam, _d1969-
245	1	0	_aLeaving Parnassus : _bthe lyric subject in Verlaine and Rimbaud / _cSeth Whidden.
264		1	_aAmsterdam : _bRodopi, _c2007.
300			_a1 online resource (230 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aFaux titre, _x0167-9392 ; _vno 296
504			_aIncludes bibliographical references (p. 211-223) and index.
505	0	0	_aPreliminary Material -- Acknowledgments -- Introduction -- The Dominance of Parnassian Poetry -- Verlaine’s Identities -- Rimbaud, Beyond Time and Space -- Conclusion -- Bibliography -- Index.
506			_aAvailable to subscribing member institutions only.
520			_aLeaving Parnassus: The Lyric Subject in Verlaine and Rimbaud considers how the crisis of the lyric subject in the middle of the nineteenth century in France is a direct response to the aesthetic principles of Parnassian poetry, which dominated the second half of the century much more than critics often think. The poets considered here rebel against the strict confines of traditional and contemporary poetry and attempt to create radically new discursive practices. Specifically, the close readings of poems apply recent studies of subjectivity in poetry and focus on the works of Paul Verlaine and Arthur Rimbaud to see how each subverts the dominant tradition of French poetry in a unique way. Whereas previous studies considered isolated aspects of each poet’s lyric subject, Leaving Parnassus shows that the situation of the lyric is a source of subversion throughout the poets’ entire work, and as such it is crucial to our full understanding of their respective innovations.
600	1	0	_aVerlaine, Paul, _d1844-1896 _xCriticism and interpretation.
600	1	0	_aRimbaud, Arthur, _d1854-1891 _xCriticism and interpretation.
600	1	7	_aRimbaud, Arthur, _d1854-1891. _2fast
600	1	7	_aVerlaine, Paul, _d1844-1896. _2fast
648		7	_a1800-1899 _2fast
650		0	_aFrench poetry _y19th century _xHistory and criticism.
650		0	_aSubjectivity in literature.
650		0	_aParnassianism _zFrance.
650		7	_aFrench poetry. _2fast
650		7	_aParnassianism. _2fast
650		7	_aSubjectivity in literature. _2fast
651		7	_aFrance. _2fast
655		7	_aCriticism, interpretation, etc. _2fast
776	0	8	_iPrint version: _tLeaving Parnassus: The Lyric Subject in Verlaine and Rimbaud _dLeiden, Boston : Brill | Rodopi, 2007, _z9789042022102
830		0	_aFaux Titre _v296.
830		0	_aLiterature and Cultural Studies E-Books Online, Collection 2007, ISBN: 9789004357969.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789401204460
999			_c12182 _d12182