000			04041nam a2200529 i 4500
001			BRILL9789004288348
003			nllekb
005			20260610104725.0
007			cr un uuuua
008			150116s2015 ne a sb 001 0 eng d
010			_a 2015002020
020			_a9789004288348 _q(electronic book)
020			_z9789004288324 _q(print)
024	7		_a10.1163/9789004288348 _2DOI
035			_a(OCoLC)893452222 _z(OCoLC)909851635
040			_aNL-LeKB _cNL-LeKB _erda
043			_ae-ne--- _ae-be---
050		4	_aN6943 _b.B75 2015
072		7	_aN _2lcco
072		7	_aAC _2bicssc
072		7	_aART015000 _2bisacsh
082	0	4	_a700.9492 _223
100	1		_aBrine, Douglas.
245	1	0	_aPious memories : _bthe wall-mounted memorial in the Burgundian Netherlands / _cBy Douglas Brine.
264		1	_aLeiden ; _aBoston : _bBrill, _c2015.
300			_a1 online resource (xix, 322 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _2rdacarrier
490	1		_aStudies in Netherlandish art and cultural history ; _vv. 13
500			_aOutgrowth of the author's thesis (Courtauld Institute of Art, 2006) under the title: Piety and purgatory : wall-mounted memorials from the southern Netherlands, c. 1380-1520.
504			_aIncludes bibliographical references (p. 273-308) and index.
505	0	0	_tPreliminary Material -- _t1 Introduction: The Wall-Mounted Memorial in the Burgundian Netherlands / _rGiven-Name Brine -- _t2 Two Memorials to Two Seigneurs: Bauduin and Thierry de Hénin-Liétard / _rGiven-Name Brine -- _t3 Commemorating the Canons of Saint-Omer / _rGiven-Name Brine -- _t4 Commemorating the Canonesses of Nivelles / _rGiven-Name Brine -- _t5 Jan van Eyck and the Virgin of Canon Joris van der Paele / _rGiven-Name Brine -- _t6 Epilogue: The Wall-Mounted Memorial’s Sixteenth-Century Legacy / _rGiven-Name Brine -- _tAppendix -- _tNotes -- _tBibliography -- _tIndex.
506			_aAvailable to subscribing member institutions only.
520			_aWall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials’ creation. In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria . For sample pages click on Google Books button. Brine received the 2015 Arthur Kingsley Porter Prize, for an earlier version of Chapter 5 of Pious Memories , his article, “Jan van Eyck, Canon Joris van der Paele, and the Art of Commemoration,” published in the September 2014 issue of The Art Bulletin .
650		0	_aArt, Netherlandish _xThemes, motives.
650		0	_aSepulchral monuments, Gothic _zBenelux countries.
650		0	_aMemorialization _zBenelux countries _xHistory _yTo 1500.
650		0	_aMemorialization _zBenelux countries _xHistory _y16th century.
650		0	_aChurch decoration and ornament _zBenelux countries _xHistory _yTo 1500.
650		0	_aChurch decoration and ornament _zBenelux countries _xHistory _y16th century.
776	0	8	_iPrint version: _tPious Memories: The Wall-Mounted Memorial in the Burgundian Netherlands _dLeiden, Boston : BRILL, 2015, _z9789004288324
830		0	_aStudies in Netherlandish Art and Cultural History _v13.
830		0	_aEuropean History and Culture E-Books Online, Collection 2015-II, ISBN: 9789004287426.
856	4		_zDOI: _uhttp://dx.doi.org/10.1163/9789004288348
999			_c10929 _d10929