000			03185nam a2200457 i 4500
001			CR9781009334839
003			UkCbUP
005			20260610102102.0
007			cr||||||||||||
008			220721s2025||||enk o ||1 0|eng|d
020			_a9781009334839 (ebook)
020			_z9781009334822 (hardback)
020			_z9781009334846 (paperback)
040			_aUkCbUP _beng _erda _cUkCbUP
043			_ab------ _an-us--- _ae------
050	0	0	_aK1420.5 _b.Y88 2025
082	0	0	_a346.04/82 _223/eng/20250314
100	1		_aYuvaraj, Joshua, _eauthor. _0http://id.loc.gov/authorities/names/n2025011955 _1https://orcid.org/0000-0002-9056-9254
245	1	0	_aCopyright reversion : _breclaiming lost culture and getting authors paid / _cJoshua Yuvaraj, University of Auckland, Rebecca Giblin, Melbourne Law School.
264		1	_aCambridge, United Kingdom ; New York, NY : _bCambridge University Press, _c2025.
300			_a1 online resource (x, 181 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aCambridge intellectual property and information law
500			_aTitle from publisher's bibliographic system (viewed on 22 Sep 2025).
506	0		_aOpen Access. _fUnrestricted online access _2star
505	0		_aReversion's Potential -- Statutory Reversion Rights in the British Commonwealth -- US Termination Rights -- Statutory Reversion Rights in Europe -- Contractual Reversion Rights -- Best-practice Principles for Copyright Reversion Mechanisms.
520			_aCopyright is meant to promote access to knowledge and culture and reward creators. But around the world, publishers, record labels and other investors continue to hoover up the rights and rewards due to creators and leave masses of creativity locked away from the public. This book shows why this bargain is broken, and how reverting copyright to creators can help redress it - allowing them to revitalise old works, turbocharged by technological advances that are providing more opportunities to do so than ever before. With cutting-edge empirical and doctrinal analysis of dominant reversion models from the United States, the Commonwealth and the EU, the book provides policymakers and academics with best-practice principles for designing reversion mechanisms that can help copyright laws do a better job of supporting the public interest in access while helping artists get paid. This title is also available as open access on Cambridge Core.
650		0	_aCopyright _zCommonwealth countries.
650		0	_aCopyright _zUnited States.
650		0	_aCopyright _zEuropean Union countries.
650		0	_aAuthors and publishers _zCommonwealth countries.
650		0	_aAuthors and publishers _zUnited States.
650		0	_aAuthors and publishers _zEuropean Union countries.
700	1		_aGiblin, Rebecca, _eauthor. _0http://id.loc.gov/authorities/names/no2011198314 _1https://orcid.org/0000-0003-4228-3961
776	0	8	_iPrint version: _z9781009334822
830		0	_aCambridge intellectual property and information law.
856	4	0	_uhttps://doi.org/10.1017/9781009334839
999			_c10580 _d10580