| 000 | 02887nam a2200433 i 4500 | ||
|---|---|---|---|
| 001 | CR9781009515900 | ||
| 003 | UkCbUP | ||
| 005 | 20260610102101.0 | ||
| 007 | cr|||||||||||| | ||
| 008 | 231123s2024||||enk o ||1 0|eng|d | ||
| 020 | _a9781009515900 (ebook) | ||
| 020 | _z9781009515894 (hardback) | ||
| 020 | _z9781009515948 (paperback) | ||
| 040 |
_aUkCbUP _beng _erda _cUkCbUP |
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| 043 | _aa-cc--- | ||
| 050 | 4 |
_aPN2874 _b.F47 2024 |
|
| 082 | 0 | 4 |
_a792.0951 _223 |
| 100 | 1 |
_aFerrari, Rossella, _eauthor. |
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| 245 | 1 | 0 |
_aPerformance and postsocialism in postmillennial China / _cRossella Ferrari. |
| 264 | 1 |
_aCambridge : _bCambridge University Press, _c2024. |
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| 300 |
_a1 online resource (74 pages) : _bdigital, PDF file(s). |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 |
_aCambridge elements. Elements in theatre, performance and the political, _x2753-1244 |
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| 500 | _aTitle from publisher's bibliographic system (viewed on 15 Jan 2025). | ||
| 506 | 0 |
_aOpen Access. _fUnrestricted online access _2star |
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| 520 | _aThis Element examines performance in postmillennial China through the lens of postsocialism. The fragmented ontology of Chinese postsocialism captures the structural contradictions of a political system that supports a neoliberal economy while continuing to promote socialist values. This study explores how the ideological ambivalence and cultural paradoxes that characterise the postsocialist condition are embodied and represented in performance. Focusing on independent practitioners and postdramatic practices, it builds on theorisations of postsocialism as a state of temporal disjunction to propose a tripartite taxonomy structured around past, present, and future temporal regimes. The categories of postsocialist hauntologies, postsocialist realisms, and postsocialist futurities are introduced to investigate performance works that respectively revisit the socialist past, document present realities, and envision future imaginations. The intersection of competing temporalities and their performative manifestations reflects the disjunctive constitution of contemporary China, where past socialist legacies and futurological ambitions coexist within a fractured postsocialist present. | ||
| 650 | 0 |
_aTheater _zChina _xHistory _y20th century. |
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| 650 | 0 |
_aTheater _zChina _xHistory _y21st century. |
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| 650 | 0 |
_aTheater _xPolitical aspects _zChina _xHistory _y20th century. |
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| 650 | 0 |
_aTheater _xPolitical aspects _zChina _xHistory _y21st century. |
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| 650 | 0 |
_aPost-communism _zChina. |
|
| 650 | 0 |
_aPolitics and culture _zChina. |
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| 776 | 0 | 8 |
_iPrint version: _z9781009515894 |
| 830 | 0 |
_aCambridge elements. _pElements in theatre, performance and the political, _x2753-1244. |
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| 856 | 4 | 0 | _uhttps://doi.org/10.1017/9781009515900 |
| 999 |
_c10564 _d10564 |
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