| 000 | 03273nam a2200541 i 4500 | ||
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| 001 | CR9781009648202 | ||
| 003 | UkCbUP | ||
| 005 | 20260610102054.0 | ||
| 007 | cr ||||||||||| | ||
| 008 | 260223s2026 enka fob 000|0 eng|d | ||
| 020 |
_a9781009648202 _qebook _cNo price |
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_z9781009648226 _qhardback _cNo price |
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_z9781009648240 _qpaperback _cNo price |
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| 024 | 7 |
_a10.1017/9781009648202 _2doi |
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| 040 |
_aStDuBDS _beng _cStDuBDS _erda _epn |
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| 043 | _aa-io--- | ||
| 050 | 4 |
_aGV1781.2 _bM4 2026 |
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| 082 | 0 | 4 |
_a792.8 _223 |
| 100 | 1 |
_aMeehan, Emma, _d1981- _eauthor. _0http://id.loc.gov/authorities/names/n2015012361 _1http://id.loc.gov/rwo/agents/n2015012361 _1https://isni.org/isni/0000000446222995 |
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| 245 | 1 | 0 |
_aDialogue in Amerta Movement / _cEmma Meehan, Samsul Maarif. |
| 264 | 1 |
_aCambridge : _bCambridge University Press, _c2026. |
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| 300 |
_a1 online resource (83 pages) : _billustrations (colour), digital, PDF file(s). |
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| 336 |
_atext _btxt _2rdacontent |
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| 336 |
_astill image _bsti _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 341 | 0 |
_3PDF _bSingle logical reading order _2onix |
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| 341 | 0 |
_3PDF _bTable of content navigation _2onix |
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| 341 | 0 |
_bWCAG level AA _2onix |
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| 490 | 1 |
_aCambridge elements. Elements in contemporary performance texts, _x2753-2798 |
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| 504 | _aIncludes bibliographical references. | ||
| 506 | 0 |
_aOpen access. _fUnrestricted online access _2star |
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| 520 | 8 | _aDialogue is often conceived of as verbal interaction between different people or groups. This title focuses on how dialogue is manifested in dance and somatic practices, through sensory relationality and responsiveness to the environment. The attention then is less on conflict of specific 'actors' but rather dialogue as a more holistic system of embodied exchange. As a study of movement as dialogue, the authors focus on Amerta Movement, a free-from style of dance developed by Javanese dance artist Suprapto Suryodarmo (Prapto), which explores dialogue with oneself, nature, other people, and communities. They examine the work of seven performing artists in Indonesia who engage with Amerta Movement in their workshops and performances. They further consider how such movement practices can cultivate competencies for inter-religious and intercultural dialogue, while contributing to debates on social cohesion and social justice. | |
| 521 | _aSpecialized. | ||
| 532 | 2 | _aWARNING - Flashing hazard | |
| 532 | 8 | _aLatest accessibility assessment date: 20260216 | |
| 588 | _aDescription based on online resource; title from PDF title page (viewed on April 8, 2026). | ||
| 650 | 0 |
_aImprovisation in dance _zIndonesia _zJava. |
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| 650 | 0 | _aMovement, Aesthetics of. | |
| 650 | 0 |
_aMovement therapy _zIndonesia _zJava. |
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| 650 | 0 | _aDialogue. | |
| 700 | 1 |
_aMaarif, Samsul, _d1975- _eauthor. _0http://id.loc.gov/authorities/names/n2018220379 _1http://id.loc.gov/rwo/agents/n2018220379 _1https://isni.org/isni/000000049558946X |
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| 776 | 0 | 8 |
_iPrint version : _z9781009648226 |
| 830 | 0 | _aCambridge elements. | |
| 830 | 0 |
_aCambridge elements. _pElements in contemporary performance texts. _x2753-2798 |
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| 856 | 4 | 0 | _uhttps://doi.org/10.1017/9781009648202 |
| 999 |
_c10164 _d10164 |
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