| 000 | 02415nam a2200349 i 4500 | ||
|---|---|---|---|
| 001 | CR9781009398244 | ||
| 003 | UkCbUP | ||
| 005 | 20260610102052.0 | ||
| 007 | cr|||||||||||| | ||
| 008 | 230103s2024||||enk o ||1 0|eng|d | ||
| 020 | _a9781009398244 (ebook) | ||
| 020 | _z9781009398213 (hardback) | ||
| 020 | _z9781009398237 (paperback) | ||
| 040 |
_aUkCbUP _beng _erda _cUkCbUP |
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| 050 | 0 | 0 |
_aPN2592.13.P76 _b.P36 2024 |
| 082 | 0 | 0 |
_a792.09409032 _223/eng/20231102 |
| 100 | 1 |
_aPayne, Deborah C., _eauthor. |
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| 245 | 1 | 4 |
_aThe business of English Restoration theatre, 1660-1700 / _cDeborah C. Payne. |
| 264 | 1 |
_aCambridge : _bCambridge University Press, _c2024. |
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| 300 |
_a1 online resource (xii, 290 pages) : _bdigital, PDF file(s). |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aTitle from publisher's bibliographic system (viewed on 18 Oct 2024). | ||
| 500 | _aOpen Access. | ||
| 520 | _aDeborah C. Payne's ground-breaking study traces the historical origins of a dilemma still bedevilling theatre companies: how to reconcile audience demand for novelty with profitability. As a solution, English acting companies in 1660 adopted an unprecedented theatrical duopoly. Implicit to its economic logic were scarcity, prestige, and innovation: attributes that, it was hoped, would generate wealth and exclusivity. Changes to playhouse architecture, stagecraft, dramatic repertory, and company practices were undertaken to create this new, upmarket theatre of “great expences.” So powerful was the promise of the duopoly and so enthralling the wholesale transformation of the theatrical marketplace that management—despite dwindling box office—resisted change for 35 years. Drawing upon network and behavioural economic theory, Professor Payne shows why the acting companies clung to an economic model inimical to their self-interest. Original archival research further bolsters this radically new perspective on an exciting and crucial period in English theatre. This title is also available as Open Access on Cambridge Core. | ||
| 650 | 0 |
_aTheater _xProduction and direction _zEngland _xHistory _y17th century. |
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| 650 | 0 |
_aTheater and society _zEngland _xHistory _y17th century. |
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| 776 | 0 | 8 |
_iPrint version: _z9781009398213 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1017/9781009398244 |
| 999 |
_c10038 _d10038 |
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