TY - BOOK AU - Christoffersen,Svein Aage AU - Hellemo,Geir AU - Onarheim,Leonora AU - Petersen,Nils Holger AU - Sandal,Margunn AU - Hopenwasser,Frances E. AU - Teglbjærg,Leif Stubbe TI - Transcendence and sensoriness: perceptions, revelation, and the Arts T2 - Studies in religion and the arts SN - 9789004291690 AV - BX4817 .T66 2015eb U1 - 246.01 23 PY - 2015/// CY - Leiden PB - Brill KW - Aesthetics KW - Religious aspects KW - Protestant churches KW - Christianity and the arts KW - Scandinavia KW - Doctrines KW - Electronic books N1 - Description based upon print version of record; Includes bibliographical references and index; Preliminary Material; Svein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal --; Introduction: Art and Aesthetic Experience as Signals of Transcendence?; Svein Aage Christoffersen --; Theology and Poetic Openness; Svein Aage Christoffersen --; The Loss of the Aura and the New Sensuousness: Walter Benjamin on the Conditions for Sense Perception in the Age of Technology; Dag T. Andersson --; Sensoriness and Transcendence: On the Aesthetic Possibility of Experiencing Divinity; Dorthe Jørgensen --; The Phenomenon of Revelation: Jean-Luc Marion’s Outline for a Phenomenology of Religion; Mikkel B. Tin --; The ornamenta ecclesiae in the Middle Ages: Materiality as Transcendence; Kristin B. Aavitsland --; Ottoman Sensoriness: Nature as a Source of Religious Cognition in Istanbul in the Mid- sixteenth Century; Geir Hellemo --; “I Can See Byzantine Art and Understand It”: The Problematic of the Byzantine Images and the Immanent Transcendence in Per Kirkeby’s Art; Hans Jørgen Frederiksen --; God among Thorns: On Anselm Kiefer’s Pietà (2007); Leonora Onarheim --; The Finished Fragment: On Arnold Schoenberg’s Moses und Aron; Arnfinn Bø-Rygg --; Time and Space in W.A. Mozart’s Ave Verum Corpus (1791): Transcendence and the Fictive Space of the Musical Work; Nils Holger Petersen --; The Broken Hallelujah: The Super Hit as Sacred Space; Kristin Rygg --; The Fullness of Space; Ettore Rocca --; Space, Wind and Light: On Transcendence and Early Church Architecture; Jens Fleischer --; On Earth as It is in Heaven: St. Hallvard’s Church and Abbey; Margunn Sandal --; Transcendence and the Use of Images; Svein Aage Christoffersen --; Faith’s Creative Mirror Reflection of Heavens’s Bliss; Theodor Jørgensen --; The Ambiguity of the Demonic in Paul Tillich’s View of Art; Espen Dahl --; When We Dead Awaken: Art, Life and Death; Trond Skard Dokka --; Final Considerations and Perspectives; Svein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal --; Index; Svein Aage Christoffersen , Geir Hellemo , Leonora Onarheim , Nils Holger Petersen and Margunn Sandal; Available to subscribing member institutions only N2 - Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness , this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology UR - http://dx.doi.org/10.1163/9789004291690 ER -