TY - BOOK AU - Hoepker,Karin TI - No maps for these territories: cities, spaces, and archaeologies of the future in William Gibson T2 - Spatial practices, SN - 9789401200523 AV - PS3557.I2264 Z76 2011 U1 - 813/.54 23 PY - 2011/// CY - Amsterdam, New York PB - Rodopi KW - Gibson, William, KW - Future, The, in literature KW - Archaeology in literature KW - fast KW - Criticism, interpretation, etc N1 - A revision of the author's doctoral dissertation submitted in American studies at the Friedrich-Alexander University Erlangen-Nuremberg; Includes bibliographical references (p. 233-248) and index; Preliminary Material -- Acknowledgements -- Introduction: New Cartographies – New Cartographers? -- A Short Introduction to Science Fiction since the 1980s: Contextualizing William Gibson -- Sprawl Space -- Junk Art – Towards a spatial poetics -- Space and Habitation: Century City II – City within a City -- Replascape – Urban Nature and Artificial Landscaping -- The Malling of Space -- Pattern Recognition and the End of the Future -- Works Cited -- Index; Available to subscribing member institutions only N2 - No Maps for These Territories offers an archaeology of seemingly tried and trusted concepts: cartography, architecture, urban space. While rethinking Michel Foucault’s theories, Karin Hoepker reconstructs the cartographic dispositives of spatial order. The futuristic fictional cityscapes of science fiction writer William Gibson are the touchstone for this epistemological analysis and typology of spatial formations. In seven probing chapters that focus on architectural blueprints, forms of inhabitation, Wunderkammern , and economic formations of retail, consumption, and entertainment such as shopping malls, amusement parks, and gambling meccas, Hoepker investigates a set of exemplary phenomena crucial to the fields of architecture, geography, philosophy, cartography, history of science, literary studies, and the arts. No Maps for These Territories thus offers close readings of fictional, philosophical, and theoretical texts, and examines instructive examples of the workings of spatial production. In a form of contrastive writing, the monograph sheds critical light on theoretical and fictional texts equally UR - http://dx.doi.org/10.1163/9789401200523 ER -