TY  - BOOK
AU  - Wouk,Edward H.
TI  - Frans Floris (1519/20-70): imagining a Northern Renaissance 
T2  - Brill's studies in intellectual history,
SN  - 9789004343252
AV  - ND673.F565 W68 2018
U1  - 759.4 23
PY  - 2018///
CY  - Boston
PB  - Brill
KW  - Floris, Frans,
KW  - Criticism, interpretation, etc
KW  - fast
N1  - Includes bibliographical references and index; Front Matter -- Copyright page -- Dedication -- Acknowledgements -- Abbreviations -- List of Figures -- Introduction. Fall and Redemption: The Divine Artist -- A Portrait of the Artist: Floris’s Biography in Context -- Iter Italicum: Floris’s Italian Journey in Context -- Triumphal Entry: Floris’s Return to Antwerp (1546–49) -- The Floris Workshop: Practice, Theory, Ritual -- Portraits and Head Studies -- Experiments in Religious Art: Style and Audience -- Ardens amator artium: Floris, Niclaes Jonghelinck, and the Nature of Netherlandish Art -- Losing Faith: Floris’s Allegory of the Trinity -- Iconoclasm and Poesie -- Humanæ Societati Necessaria: Frans Floris’s Vision for the Arts -- Coda -- Back Matter -- Mentions of Floris in Literary Sources -- Drawings after the Antique attributed to Floris and recorded in the lost Album Dansaert -- Text and Music of the chanson “Le Cruel Mars” -- Timeline of Floris’s Chief Dated Works in Historical Context -- Checklist of Paintings -- Checklist of Drawings -- Checklist of Prints -- Notes -- Bibliography -- Index; Available to subscribing member institutions only
N2  - Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of printing
UR  - http://dx.doi.org/10.1163/9789004343252
ER  -